New Books In Biography

Shake and Bake is the story of Archie Clark, one of the top playmaking guards in the 1970s pre-merger NBA. While not one of the game’s most recognized superstars, Clark was a seminal player in NBA history who staggered defenders with the game’s greatest crossover dribble (“shake and bake”) and is credited by his peers as the originator of today’s popular step-back move. Signed as the Lakers third-round draft pick in 1966, Clark worked his way into the starting lineup in his rookie year. But Clark was more than a guaranteed double-double whenever he stepped on the floor. He was a deep-thinking trailblazer for players’ rights. Clark often challenged coaches and owners on principle, much to the detriment of his career and NBA legacy, signing on as a named litigant in the seminal Robertson v. NBA antitrust case that smashed the player reserve system and jump-started the modern NBA. Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education. She also experienced anew—and left her mark on—the city in which she had been raised in privilege as the daughter of a judge, even as she left the security of that world to pursue her artistic ambitions. Brought to vivid life by acclaimed art historian Alexander Nemerov, these defining moments—from her first awed encounter with Jackson Pollock's drip paintings to her first solo gallery show to her tumultuous breakup with eminent art critic Clement Greenberg—comprise a portrait as bold and distinctive as the

Every good story needs a villain, and some of the early chroniclers of the pilgrim and puritan settlements found all they needed for this type of character in Thomas Morton. Peter C. Mancall tells the story in The Trials of Thomas Morton: An Anglican Lawyer, His Puritan Foes, and the Battle for a New England (Yale UP, 2019), in what reads perhaps like a historical legal thriller novel. Most of our knowledge of Morton comes from the records left by his enemies, but Mancall's new research into this enigmatic figure unveils how this unlikely anti-hero can shed tremendous light on alternate possibilities in the contentious early years of the European-Native encounter. Morton's own writings portray a vision of an altogether different kind of indigenous–settler future. Yet Morton's continued antagonism of the Plymouth and Massachusetts Bay colonial governments led to his repeated exile. While he was repudiated by the earliest generations of readers for debauchery and political menace, subsequent generations continu

Elizabeth A. Povinelli’s inheritance was passed down not through blood or soil but through a framed map of Trentino, Alto Adige—the region where family's ancestral alpine village is found. Far more than a map hanging above the family television, the image featured colors and lines that held in place the memories and values fueling the Povinelli family's fraught relationships with the village and with each other. In her graphic memoir The Inheritance (Duke UP, 2020), Povinelli explores the events, traumas, and powers that divide and define our individual and collective pasts and futures. Weaving together stories of her grandparents' flight from their village in the early twentieth century to the fortunes of their knife-grinding business in Buffalo, New York, and her own Catholic childhood in a shrinking Louisiana woodlands of the 1960s and 1970s, Povinelli describes the serial patterns of violence, dislocation, racism and structural inequality that have shaped not only her life but the American story. Plumbing

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant

What more can we learn about legendary American writer Elizabeth Bishop (1911-79), dubbed by Bethany Hicok “the most stunning poet of the twentieth century”, by exploring the wonderful archives of her life and work at Vassar? Why are literary archives coming back into vogue? How do new techniques in digital humanities create novel possibilities for archival-based research and publication? And how can we develop collaborative methods of studying and teaching in literary archives? In this lively, well-crafted podcast, leading Bishop scholar Bethany Hicok of Williams College completely fails to control her infectious enthusiasm for Elizabeth Bishop’s writings. She explains to Duncan McCargo why Bishop has become for her the poet of the pandemic, and above all what happened when she spent three weeks embedded in the Vassar archives with sixteen other scholars and poets – a project that resulted in this beautifully produced and copiously illustrated edited volume. Since Elizabeth Bishop and the Literary Archive is

Today I talked to Nelson Johnson about his new book Darrow's Nightmare: The Forgotten Story of America's Most Famous Trial Lawyer (Rosetta Books, 2021) In 1911 the 26-year-span in which Clarence Darrow took on capital punishment, advocated for civil rights, and handled the Scopes trial was still before him. Those accomplishments might never have happened if he hadn’t survived two torturous years in Los Angeles. First, he sought to settle the case of labor activists bombing the Los Angeles Times building and killing 20 people. Then, Darrow on trial himself on charges of having tried to bribe a prospective juror in the LA Times case. Up against Darrow was the power structure of L.A. On Darrow’s side, was his wife and two brilliant attorneys, one of whom later drank himself to death (Earl Rogers) and another who was later committed to a mental institution (Horace Appel). In between, all sorts of legal and extra-legal connivances took place as touched on in this episode. Nelson Johnson is a retired N. J. Superior

Edward M. Almond belonged to the generation of US Army officers who came of age during World War I and then ascended to senior command positions during World War II. During WWII, Almond led the 92nd Infantry Division, one of only two African American divisions to see combat in the war. Yet, alongside his achievements, including a command during the Korean War, Almond was a fervent racist and a right-wing political zealot. In his book Edward M. Almond and the US Army: From 92nd Division to the X Corps, published by the University of Kentucky Press in 2019, Dr. Michael E. Lynch of the US Army Heritage and Education Center argues that Almond's racism, while very real, overshadows his accomplishments and contends that Almond played a significant role in the Army's history. Douglas Bell holds a PhD in history from Texas A&M University and recently completed a yearlong postdoctoral fellowship at the US Army Heritage and Education Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our sho

Lydia Harvey was meant to disappear. She was young and working class; she'd walked the streets, worked in brothels, and had no money of her own. In 1910, politicians, pimps, policemen and moral reformers saw her as just one of many 'girls who disappeared'. But when she took the stand to give testimony at the trial of her traffickers, she ensured she'd never be forgotten. In The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice (Profile Books, 2021), historian Julia Laite traces Lydia's extraordinary life from her home in New Zealand to the streets of Buenos Aires and safe houses of London. She also reveals the lives of international traffickers Antonio Carvelli and his mysterious wife Marie, the policemen who tracked them down, the journalists who stoked the scandal, and Eilidh MacDougall, who made it her life's mission to help women who'd been abused and disbelieved. Together, they tell an immersive story of crime, travel and sexual exploitation, of lives long overlooked an

The name of Dorothy Hale is not well known these days. In the 1920s, she enjoyed a career on Broadway as a dancer, including in a leading role with Fred Astaire. When an accidental injury ended that career, she auditioned, successfully, for the filmmaker Samuel Goldwyn and landed a part opposite Ronald Coleman, who would later star in Lost Horizon. But Dorothy’s film career did not take off, and she moved into art, writing, and museum work in support of her second husband, Gardner Hale, a well-known fresco painter and portraitist, until his tragic death in 1931. Dorothy survived the stock-market crash of 1929 with her wealth intact and remained a light of New York society into the 1930s. Her closest friend—Clare Boothe, who married Henry Luce in 1935—branched out from an active career in magazine publishing, including a stint as managing editor of Vanity Fair, to produce a Broadway play titled The Women. The play lampooned members of their social circle, evoking both amusement and outrage. Dorothy Hale then s

Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with

From the beginning of his career, Swiss theologian Karl Barth (1886-1968) was often in conflict with the spirit of his times. While during the First World War German poets and philosophers became intoxicated by the experience of community and transcendence, Barth fought against all attempts to locate the divine in culture or individual sentiment. This freed him for a deep worldly engagement: he was known as "the red pastor," was the primary author of the founding document of the Confessing Church, the Barmen Theological Declaration, and after 1945 protested the rearmament of the Federal Republic of Germany.  In Karl Barth: A Life in Conflict (Oxford UP, 2021), Christiane Tietz compellingly explores the interactions between Barth's personal and political biography and his theology. Numerous newly-available documents offer insight into the lesser-known sides of Barth such as his long-term three-way relationship with his wife Nelly and his colleague Charlotte von Kirschbaum. This is an evocative portrait of a th

Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Pe

From the New York Times bestselling author of A. Lincoln and American Ulysses, a revelatory glimpse into the mind and soul of our sixteenth president through his private notes to himself, explored together here for the first time. A deeply private man, shut off even to those who worked closely with him, Abraham Lincoln often captured “his best thoughts,” as he called them, in short notes to himself. He would work out his personal stances on the biggest issues of the day, never expecting anyone to see these frank, unpolished pieces of writing, which he’d then keep close at hand, in desk drawers and even in his top hat. The profound importance of these notes has been overlooked, because the originals are scattered across several different archives and have never before been brought together and examined as a coherent whole.  In Lincoln in Private: What His Most Personal Reflections Tell Us About Our Greatest President (Random House, 2021), Ronald C. White walks readers through twelve of Lincoln’s most important

John Calvin's 1559 Institutes takes the reader on a journey that ends not in the celestial city but rather an ordinary, terrestrial city with all the attendant political and social secular concerns. Michelle Chaplin Sanchez, associate professor of theology at Harvard Divinity School, brings this crucial text into conversation with critical theories of secularization, modernity, and political theology. In her theoretically-informed study, Calvin and the Resignification of the World: Creation, Incarnation, and the Problem of Political Theology in the 1559 Institutes (Cambridge UP, 2019), Sanchez helps readers of Calvin contextualize his continual revisions of his most well known work. Her attention to artifactuality, design, and genre offers students of the Institutes an window into a text that defies periodization and challenges static readings of this dynamic text. Calvin's attention to providence and incarnation become the dominant lenses through which he develops his understandings of divine and political s

Today I talked to Vanessa Carlisle about her new book Take Me with You (Running Wild, 2021). Kindred Powell's youth is marked by a secret that her white mother and Black father kept from her. After her father Carl's unjust incarceration and her mother's death from illness, Kindred moves from Los Angeles to New York in a desperate search for peace. There, she finds her girlfriend Nautica, a career in sex work, and a kinky boy toy named Griffin. But when Carl goes missing from LA's Skid Row, Kindred must drop everything to find him. Keep an eye out for the special edition of the South Atlantic Quarterly edited by Heather Berg and Featuring more of Vanessa's work.  Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Mirza Ghalib is one of the most celebrated poets in the Urdu literary canon. Yet, at the time, Ghalib was prolific in both Urdu and Persian. His output in Persian output dwarfs his Urdu writing (at least in its published form), and he often openly dismissed his Urdu works, once writing: Look into the Persian so that you may see paintings of myriad shades and hues; Pass by the collection in Urdu for it is nothing but drawings and sketches. Ghalib: A Wilderness at My Doorstep: A Critical Biography (Allen Lane, 2021) by Professor Mehr Afshan Farooqi explores the work of Mirza Ghalib to perhaps explain why the power made the switch from Urdu to Persian and back to Urdu. In this interview, I ask Mehr to introduce us to Ghalib and his work. We explore Ghalib as both a poet and a person, and why he made the switch from writing in Urdu to Persian and back again. Mehr Afshan Farooqi is currently an associate professor of Urdu and South Asian Literature at the University of Virginia. Her research publications address c

Erich Ludendorff is a contentious figure in military history. Focused, energetic, and hailing from humble origins, Ludendorff rose through the ranks of the largely aristocratic late-nineteenth century German officer corps to play a leading role in the First World War. As a field officer at Liège and Tannenberg, as a driving force behind the development of the Siegfried Line, and as the architect of the 1918 German Spring Offensive, Ludendorff consistently demonstrated a formidable military acumen and a penchant for tactical, if not always strategic, innovation. Over the past century, that wartime record garnered more than its fair share of respect—and not an insignificant amount of awe—from numerous First World War scholars. Those who look upon Ludendorff’s martial prowess with admiration, however, face a dilemma: how to reconcile Ludendorff’s military achievements with his abhorrent post war activities and beliefs. The one-time Quartermaster General of the German Army did not acquit himself well in the post

A brief, elegant memoir of the author's work as a Red Cross volunteer delivering emergency water to residents of Flint, Michigan, Standpipe sets the struggles of a city in crisis against the author's personal journey as his mother declines into dementia and eventual death. Written with a poet's eye for detail and quiet metaphor, Standpipe: Delivering Water in Flint (Belt, 2021) is an intimate look at one man's engagement with both civic and familial trauma. This gentle, observant book is for readers seeking to better understand the human experience of the Flint Water Crisis, and a vivid investigation into how we all heal. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Louis Jacobs was Britain's most gifted Jewish scholar. A Talmudic genius, outstanding teacher and accomplished author, cultured and easy-going, he was widely expected to become Britain's next Chief Rabbi. Then controversy struck. The Chief Rabbi refused to appoint him as Principal of Jews' College, the country's premier rabbinic college. He further forbade him from returning as rabbi to his former synagogue. All because of a book Jacobs had written some years earlier, challenging from a rational perspective the traditional belief in the origins of the Torah, the Jewish Bible. The British Jewish community was torn apart. It was a scandal unlike anything they had ever previously endured. The national media loved it. Jacobs became a cause celebre, a beacon of reason, a humble man who wouldn't be compromised. His congregation resigned en masse and created a new synagogue for him in Abbey Road, the heart of fashionable 1970s London. It became the go-to venue for Jews seeking reasonable answers to questions of fait