New Books In Biography

Olga Tufnell (1905–85) was a British archaeologist working in Egypt, Cyprus, and Palestine in the 1920s and 1930s, a period often described as a golden age of archaeological discovery. Tufnell achieved extraordinary success for an “amateur” archaeologist and as a woman during a time when the field of professional archaeology was heavily dominated by men, typically with university training. Olga Tufnell’s 'Perfect Journey': Letters and Photographs of an Archaeologist in the Levant and Mediterranean (UCL Press, 2021), edited by Jack Green and Ros Henry, presents, for the first time, letters and photographs by Tufnell primarily during her pioneering work in the 1920s and 1930s. From the Palestine Exploration Fund archive, these records not only shed light on the discoveries made by Tufnell and her colleagues, but are also a window into the past, often narrating contemporary events, and revealing a great deal about the way in which Olga Tufnell viewed the rapidly changing, often contentious world around her. With

Michal Kšiňan’s Milan Rastislav Štefánik: The Slovak National Hero and Co-Founder of Czechoslovakia is the first scientific biography of Milan Rastislav Štefánik (1880–1919) that is focused on analyzing the process of how he became the Slovak national hero. Although he is relatively unknown internationally, his contemporaries compared him “to Choderlos de Laclos for the use of military tactics in love affairs, to Lawrence of Arabia for vision, to Bonaparte for ambition ... and to one of apostles for conviction.” He played a key role in founding an independent Czechoslovakia in 1918 through his relentless worldwide travels during the First World War in order to create the Czechoslovak Army: he visited Serbia and Romania on the eve of invasion by the Central Powers, Russia before the February revolution, the United States after it declared war on Germany, Italy dealing with the consequences of defeat in the Caporetto battle, and again when Russia plunged into Civil War. Several historical methods are used to an

Rabbi Moses ben Nahman (1194–1270), known in English as Nahmanides and by the acronym the Ramban, was one of the most creative kabbalists, one of the deepest and most original biblical interpreters, and one of the greatest Talmudic scholars the Jewish tradition has ever produced. Join us as we talk with Moshe Halbertal about his recent book: Nahmanides: Law and Mysticism (Yale UP, 2020), where he provides a broad, systematic account of Nahmanides’s thought, exploring his conception of halakhah and his approach to the central concerns of medieval Jewish thought, as well as the relationship between Nahmanides’s kabbalah and mysticism and the existential religious drive that nourishes them. Moshe Halbertal is the John and Golda Cohen Professor of Jewish Thought and Philosophy at Hebrew University and Gruss Professor of Law at NYU Law School. He has also written Maimonides: Life and Thought. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tab

No Future in This Country: The Prophetic Pessimism of Bishop Henry McNeal Turner (U Mississippi Press, 2020) is a history of the career of Bishop Henry McNeal Turner (1834–1915), specifically focusing on his work from 1896 to 1915. Drawing on the copious amount of material from Turner’s speeches, editorial, and open and private letters, Dr. Andre E. Johnson tells a story of how Turner provided rhetorical leadership during a period in which America defaulted on many of the rights and privileges gained for African Americans during Reconstruction. Unlike many of his contemporaries during this period, Turner did not opt to proclaim an optimistic view of race relations. Instead, Johnson argues that Turner adopted a prophetic persona of a pessimistic prophet who not only spoke truth to power but, in so doing, also challenged and pushed African Americans to believe in themselves. Learn about the #HMT Project Andre E. Johnson, PhD is an Associate Professor of Rhetoric and Media Studies in the Department of Communicat

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how B

In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in Americ

The First World War poet and composer Ivor Gurney (1890–1937) spent the last fifteen years of his life confined in a Kent mental hospital before dying prematurely of tuberculosis. How good was Gurney's war poetry, and has his music stood the test of time? Why did try to re-write Shakespeare's plays? How far do recently uncovered archives transform our understandings both of Ivor Gurney's troubled life and his remarkable work?  Kate Kennedy of the Oxford Centre for Life-Writing discusses her ground-breaking biography of Ivor Gurney Dweller in Shadows (Princeton 2021) with Duncan McCargo, in an unusual podcast that includes readings of his poetry, and two specially recorded examples of his music. The podcast opens and closes with Kate Kennedy (cello) and Simon Over (piano) performing Gurney's song Sleep. We also hear Simon accompany Dominic Bevan as he sings Severn Meadows, a rare example of Gurney setting his own words to music.  Rare treats lie in store for the listener.  Learn more about your ad choices. Vis

Ryan Ruby is a writer and translator from Los Angeles, California. His fiction and criticism have appeared in The New York Review of Books, The Paris Review Daily, Conjunctions, n+1, The Baffler, and elsewhere. The piece we are discussing here is Child’s Play. What can Wittgenstein teach us about raising kids published in June 2021 in The Believer. His debut novel The Zero and the One was published in March 2017 by Twelve Books. It has subsequently appeared in the UK, Australia, New Zealand, and France. He is the author of a book-length poem, Context Collapse, which was a Finalist for the 2020 National Poetry Series and a Semi-Finalist for the 2020 Tomaž Šalamun Prize. He has translated Roger Caillois and Grégoire Bouillier from the French for Readux Books. A graduate of Columbia University and the University of Chicago, he lives in Berlin, where he is on the faculty of the Berlin Writers' Workshop and an Affiliate Fellow of the Institute for Cultural Inquiry. Agata Popeda is a Polish-American journalist. Int

Lyle D. Bierma's Font of Pardon and New Life: John Calvin and the Efficacy of Baptism (Oxford UP, 2021) is a study of the historical development and impact of John Calvin's doctrine of baptismal efficacy. The primary questions it addresses are (1) whether Calvin taught an "instrumental" doctrine of baptism, according to which the external sign of the sacrament serves as a means or instrument to convey the spiritual realities it signifies, and (2) whether Calvin's teaching on baptismal efficacy remained constant throughout his lifetime or underwent significant change. Secondarily, the work also examines whether such spiritual blessings, in Calvin's view, are conferred only in adult (believer) baptism or also in the baptism of infants, and what impact Calvin's doctrine of baptismal efficacy had on the Reformed confessional tradition that followed him. The book examines all of Calvin's writings on baptism-his Institutes, commentaries on Scripture, catechisms, polemical writings, and consensus documents-chronolog

This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people’s rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor’s office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The r

Federico Fellini’s distinct style delighted generations of film viewers and inspired filmmakers and artists around the world. In Fellini’s Films and Commercials: From Postwar to Postmodern, renowned Fellini scholar Frank Burke presents a film-by-film analysis of the famed director’s cinematic output from a theoretical perspective. The book explores Fellini’s movement from relatively classic filmmaking to modernist reflexivity and then to ‘postmodern reproduction’. Burke moves from analysis of stories told from a relatively ‘objective’ standpoint, to increased concentration on Fellini-as-author and on the cinematic apparatus, to Fellini’s dismantling of authorship and cinematic apparatus, to his postmodern signifying strategies. Grounded in poststructuralist approaches to texts and signification, Burke shows that Fellini is profoundly readable, if extremely complex. Revisiting Burke’s 1996 Fellini’s Films: From Postwar to Postmodern, this new edition includes revised material from the original, plus a new pref

Few people have made decisions as momentous as Eisenhower, nor has one person had to make such a varied range of them. From D-Day to Little Rock, from the Korean War to Cold War crises, from the Red Scare to the Missile Gap controversies, Ike was able to give our country eight years of peace and prosperity by relying on a core set of principles. These were informed by his heritage and upbringing, as well as his strong character and his personal discipline, but he also avoided making himself the center of things. He was a man of judgment, and steadying force. He sought national unity, by pursuing a course he called the Middle Way that tried to make winners on both sides of any issue. Ike was a strategic, not an operational leader, who relied on a rigorous pursuit of the facts for decision-making. His talent for envisioning a whole, especially in the context of the long game, and his ability to see causes and various consequences, explains his success as Allied Commander and as President. After making a decisio

Ahmad Ibn Tulun: Governor of Abbasid Egypt, 868-884 (Oneworld Academic, 2021), by Matthew S. Gordon (Miami University (Ohio)) is an innovative look at the Abbasid governor of Egypt from 868-884, and the short-lived dynasty that succeeded him for just two decades.  Ibn Tulun is perhaps best known for the mosque that still bears his name in Cairo--arguably the city's oldest Islamic monument that survives in its original form--which was the centerpiece of the capital city that he built. While ibn Tulun is often depicted in Egyptian historiography as an autonomous leader, aspiring toward independence away from the greater Abbasid state, Gordon makes a convincing argument that ibn Tulun--the son of a Turkic slave-soldier gifted to the Abbasid caliph--was instead a product of the political turmoil in Iraq, but that he was very much an Abbasid in spirit and politics. This intriguing and convincing reframing of ibn Tulun's life and career offers a new interpretation of this understudied period in Egyptian history, as

George Frederick Bristow, born in 1825, was a significant musical figure in the United States from the 1850s until his death in 1898. Now, almost one hundred years after his birth, Katherine Preston has just written his first biography--George Frederick Bristow (University of Illinois Press, 2020)-- as part of the American Composers Series.  Bristow led a professional life that today’s classical musicians would surely recognize. He patched together a living from performing, composing, conducting, teaching, church jobs, and even some business ventures and celebrity endorsements. He composed in every major genre of the period and wrote "Rip Van Winkle," the first grand opera by an American composer. Preston situates his life within the booming musical economy in New York and his music within the critical and artistic currents of the nineteenth century, while illuminating the little-known creative and performance culture that Bristow helped define and create. Kristen M. Turner is a lecturer in the music and hono

Today I talked to Edward G. Longacre about his new book Unsung Hero of Gettysburg: The Story of Union General David McMurtrie Gregg (University of Nebraska Press, 2021). On the 3rd day of the Battle of Gettysburg, Union cavalry officer David Gregg ensured that Jeb Stuart’s Confederate cavalry troops didn’t succeed. Stuart’s orders were to attack the right flank of the Army of the Potomac and create a pincer movement by attacking from behind while Pickett’s forces made their disastrous frontal attack known as Pickett’s charge. Outnumbered by probably 2 to 1, Gregg’s men and the commandeered cavalry led by George Custer held off the Confederate horsemen, helping to seal the military victory. Gregg and Custer got along well but could hardly have been more different. One was reserved, the other flamboyant. And it would of course be Custer who went down in the history books for being impulsive, while the levelheaded Gregg provided solid leadership whether at Gettysburg or elsewhere during the war. This episode goe

John Calvin in Context (Cambridge UP, 2019) offers a comprehensive overview of Calvin's world. Including essays from social, cultural, feminist, and intellectual historians, each specially commissioned for this volume, the book considers the various early modern contexts in which Calvin worked and wrote. It captures his concerns for Northern humanism, his deep involvement in the politics of Geneva, his relationships with contemporaries, and the polemic necessities of responding to developments in Rome and other Protestant sects, notably Lutheran and Anabaptist. The volume also explores Calvin's tasks as a pastor and doctor of the church, who was constantly explicating the text of scripture and applying it to the context of sixteenth-century Geneva, as well as the reception of his role in the Reformation and beyond. Demonstrating the complexity of the world in which Calvin lived, John Calvin in Context serves as an essential research tool for scholars and students of early modern Europe. Zach McCulley (@zamccu

In 1800 a Belfast linen merchant named Alexander Brown emigrated with his wife and eldest son to Baltimore. Today his family’s name lives on in the investment firm Brown Brothers Harriman, a company that has long played an outsized role in American history. As Zachary Karabell details in his book Inside Money: Brown Brothers Harriman and the American Way of Power (Penguin, 2021), a key factor in its endurance over the country’s long and often tumultuous financial history has been the importance it has accorded to the values of trust and reputation which Alexander Brown championed. These he taught to his sons, who branched out beyond Baltimore and Liverpool and spearheaded the transition from trade into finance. By the second generation the Browns were fixtures in both London and New York, from where their respective firms endured the Civil War and grew as the country expanded. By the end of the 19th century Brown Brothers was among the nation’s elite financial firms. Karabell shows how their founder’s values

Richard Thompson's Beeswing: Losing My Way and Finding My Voice 1967-1975 (Algonquin Books, 2021) gives fans of his music a tale as rollicking and entertaining as the reels and ballads he recorded with the band Fairport Convention. Fairport Convention was one of the central bands in the British Folk Rock scene, blending traditional English songs and melodies with the energy and irreverence of rock and roll. Thompson's memoir of his time with the band discusses the process of recording their classic albums, as well as run-ins with figures like Buck Owens, Nick Drake, and Jimi Hendrix. He also discusses his childhood in post-war London, his relationship with his then-wife and collaborator Linda Thompson, and his search for spiritual purpose, which he eventually found in Sufi Islam. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adch

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC. Empire’s Mistress, Starring Isabel Rosario Cooper (Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood. In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”. Vernadette Vicuña Gonzalez is

Boy On Fire: The Young Nick Cave (HarperCollins, 2020) is the first volume of a long-awaited, near-mythical biography of Nick Cave by award-winning writer, Mark Mordue. A beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become. As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of a time and place, from the fast-running dark river and ghost gums of Wangaratta, to the nascent punk scene which hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and the manic, wild energy of nights at t