Composer Of The Week

Donald Macleod surveys the spell Shakespeare cast on Berlioz's life and musicBerlioz burst onto the musical stage of 19th century Paris determined to break the mould of France’s elegant and refined classical style. He wanted to create music that could be bombastic, barbaric and grotesque, as well as sentimental, scintillating and sorrowful. In this, he was inspired by writers as much as fellow musicians. He was captivated by stories and crowded his imagination with the tales of Virgil, Scott, Goethe and, most of all, William Shakespeare. This week, Donald Macleod traces the tangled literary connections in Berlioz’s life and music, including the profound spell cast by Shakespeare over the composer’s art and personality.Music featured:Symphonie fantastique: IV. Marche au supplice Harold en Italie: III. Sérénade Les Nuits d'été: IV. Absence, VI. L'île inconnue Waverley, Grande Ouverture Roméo et Juliette: Part 1 (extracts) Roméo et Juliette, Op 17: Part 2 (extract) La Damnation de Faust: Scène 15. Symphonie fant