Tape Notes

In this episode, John is joined by Dave, Donny and Jung from Gang of Youths to talk about how they wrote, recorded and produced the band’s new album ‘Angel In Realtime’. Taking us on a global tour, the trio guides us through the wealth of sounds, people and places that had such a huge influence on the album, from London street ambience and the goings-on outside their studio window, to Pacific Island chants and the extraordinary samples that opened up a whole new sonic world for them. Alongside a look into their musical melting pot, we hear thoughts on criticism, hate and jealousy within music, as well as their attitudes towards cheesiness and embracing who you are and what you love.  Listen to find out how to make a beat from a box of sultanas, why you sometimes might mistake Dave’s voice for a stoned Michael Buble, and how to create the illusion of something being simple - while still throwing 200 layers of tracks at it.   Tracks discussed: You In Everything, Spirit Boy, Hand of God, Goal of the Century    L

In this episode, John ventures over to Alt-J’s band studio to chat with Joe, Gus and producer Charlie Andrew about how they wrote, recorded and produced their new album ‘The Dream’. Unearthing early demos and some very special voice notes, the trio look back on forming the sonic world encapsulated within the record, reflecting on the importance of their individual roles within the writing process along with the fundamental stories behind each track. From serendipitous church bells to missions of sneaking in old album references, we hear about the intricacies of the kit key to the band’s sound, as well as the little details within each track you won't discover on a first listen. Listen to find out why Mexican Coke tastes better than American Coke, what a sausage bassoon is, and how to get the best results when recording next to a dance class and a polling station. Tracks discussed: Bane, The Actor, Get Better   Listen to ‘The Dream’ here. ‘The Dream’ - Infectious Music, BMG   Intro Music - Sunshine Buddy, Laur

In this episode, John heads over to Bastille’s West London HQ to catch up with Dan Smith and producer Mark Crew about how the band wrote, recorded and produced their latest album ‘Give Me The Future’. Having written most of the tracks in remote lockdown sessions, Dan takes us all the way back through his initial ideas and the random voice notes of inspiration that came to him at the most unexpected times. As well as sharing their thoughts on the challenges that come with writing a sci-fi concept album and blending them with the usual Bastille ‘bread and butter’, the pair pull apart the intricate production techniques they used in an attempt to recreate the musical characteristics of the 80s. Listen to find out how the band’s touring crew ended up recording BVs, what is and isn’t considered tasteful when mixing in Dolby Atmos, and what genres are generally pretty dangerous to let a bassist loose on.   Tracks discussed: Thelma + Louise, Back To The Future, Future Holds   LINKS TO EVERYTHING TAPE NOTES  https://

Find out more about Tape It and redeem 50% off any Pro plan - tape.it/tapenotes ------------------------------ Welcome to part two of the Best Of Season 9. We pick up where we left off, looking back and pulling out our selection of highlights and memorable moments from the season.  If you haven’t heard every episode from season 9, this is a good way to introduce yourself to more of the guests we’ve had on and hear some of their top studio tips, unique writing processes, along with the thoughts and philosophies that shape their musical worlds.   You’ll hear highlights from:  CHVRCHES Orla Gartland with Tom Stafford Courtney Barnett & Stella Mozgawa Jon Hopkins Chet Faker Hiatus Kaiyote   Listen to the albums featured this season with the links below. CHVRCHES - ‘Screen Violence’ Orla Gartland - ‘Woman on the Internet’ Courtney Barnett - ‘Things Take Time, Take Time’ Jon Hopkins - ‘Music For Psychedelic Therapy’ Chet Faker - ‘Hotel Surrender’ Hiatus Kaiyote - ‘Mood Valiant’   INTRO MUSIC Sunshine Buddy, Laurel

Season 9 has been so full of amazing albums that we’ve decided to split this Best Of into two parts. Welcome to Part One! In this episode, we look back across the season picking out a selection of highlights from our conversations with the artists and producers we were lucky enough to speak to. If you haven’t heard every episode from the last season, this is a good way to introduce yourself to some of the guests we’ve had on and hear some of their top studio tips, unique writing processes, along with the thoughts and philosophies that shape their musical worlds.   You’ll hear highlights from:  Maisie Peters & Joe Rubel James Vincent McMorrow with Paul Epworth & Lil Silva Imagine Dragons Jungle Mr Jukes & Barney Artist Frank Carter & the Rattlesnakes   Listen to the albums featured this season with the links below. Maisie Peters - ‘You Signed Up For This’  James Vincent McMorrow - ‘Grapefruit Season’  Imagine Dragons - ‘Mercury - Act 1’ Jungle - ‘Loving In Stereo’ Mr Jukes & Barney Artist - ‘The Locket’  Frank

In this episode, John links up with Simon, Perrin and Bender of Hiatus Kaiyote, to talk about how they wrote, recorded and produced the album ‘Mood Valiant’. Having written the album across the globe, from Rio De Janeiro to Byron Bay, the trio reflect on the development of their writing process, discussing how the effects of taking road-hardened demos to South America pushed their creativity into unfamiliar territory. Unearthing some unheard recordings dating back to the mid-2010s, we are given a rundown of some of the key moments of the band’s career, along with an in-depth look at some of the joys that come with getting things down on wonky quarter-inch tape and rekindling a friendship with an honorary fifth member, the Korg VC-10. Listen to find out how to tackle shin cramps whilst playing a Steinway piano in a session, what happens when you combine delicate Colombian flutes with challenging rhythmic danceable beats, and how much the band enjoys the compression of audio on an Instagram story.   Tracks disc

In this episode, John links up with Chet Faker aka Nick Murphy, to talk about how he wrote, recorded and produced the album ‘Hotel Surrender’. Diving into the tracks initially found within one of his numerous demo playlists, Nick looks back on his variety of music making processes, sharing thoughts on slingshotting around different creative mediums and maximising inspiration. From scrapbooking and self-sampling to a great deal of file management, we’re treated to stories of productivity-inducing gear limitations and tricks to get strange harmonic options, all alongside advice on putting music out, taking criticism and simply being the best you can be.   Listen to find out how many cowboy monologues were recorded for the album, why you shouldn’t rollerblade in music videos, and how to appropriately react when you’re given Ableton and not Acid Loop Pro.    Tracks discussed: Oh Me Oh My, Low, Feel Good    Listen to ‘Hotel Surrender’ here. ‘Hotel Surrender’ - Detail Records, BMG (Australia)   Intro Music - Sunshi

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John is joined by Jon Hopkins at Iguana Studios to talk about how he wrote, recorded and produced his latest album ‘Music For Psychedelic Therapy’. Engaging us in the album’s immersive journey, Jon talks us through the spaces and natural processing that shaped the sound of the record, from the depths of an Ecuadorian Cave to the vintage synths recorded in the woods. Unearthing the individual parts and gradual sonic changes, we hear Jon's outlook on following intuition, responding to ‘bolt of lightning’ ideas and insane bur

In this episode, John links up with Courtney Barnett and producer Stella Mozgawa to talk about how they wrote, recorded and produced Courtney’s album ‘Things Take Time, Take Time’. Ready with the keys to Courtney’s archive of sofa voice notes and Garageband demos, the pair talk us through the entire album process, from their most valuable moments within pre-production, to the hours in the studio where they had to check if they were losing their minds. Sharing the secrets of the sonics, we hear stories of creating cavernous brass sounds using only a guitar and making fake shakers out of drums, all of which are set alongside the eternal loops sourced from the depths of Stella’s drum machine collection. Listen to find out how to trick yourself into doing the perfect vocal take, what the best state of mind is to help get ideas flowing, and why producing is far from being a dark art.   Tracks discussed: Turning Green, Here’s The Thing, Oh The Night Listen to ‘Things Take Time, Take Time’ here. ‘Things Take Time,

In this episode, John joins Orla Gartland and producer Tom Stafford to talk about how they wrote, recorded and produced Orla’s debut album ‘Woman on the Internet’. From the early stages of throwing musical ideas at the wall to the almost infinite list of recording secrets picked up from their time at Middle Farm Studios, Orla and Tom look back on trying to capture and emulate the original magic from their early sessions, along with bringing light and shade to the record as a whole. Unearthing old voice memos and opening up the original sessions, we hear stories of blind microphone testing, trying and failing to recreate cheap sounds with ‘posh’ synths, and introducing some of Tom’s modular madness to Orla’s folk-pop sound. Listen to find out how to get good results when recording with a kids karaoke machine, what making things sound orange and sparkly means, and how gigs at a cereal cafe may have been the start of numerous musical careers. Tracks discussed: You’re Not Special Babe, Over Your Head, More Like Y

In this episode, John links up with Lauren, Iain and Martin of CHVRCHES to talk about how they wrote, recorded and produced the album ‘Screen Violence’. Largely working remotely from different parts of the world, the trio look back on how they adapted their writing process, discussing how the effects of the pandemic ended up shaping some of the themes and meanings within the album. Sharing some of their day one demos, we hear stories of forming entire songs around single elements, combining and blending vintage gear with modern recording techniques, and using creative production tricks to respond to and reinforce certain lyrics. Listen to find how powerful hidden live drums on an electronic beat can be, why you should always keep your day one demo in a session, and how to react when Robert Smith emails you saying “what do you want?”   Tracks discussed: How Not To Drown, He Said She Said, California Listen to ‘Screen Violence’ here. ‘Screen Violence’ - EMI, Virgin Records   Intro Music - Sunshine Buddy, Laurel

In this episode, John ventures over to Baltic Studios to catch up with Frank and Dean of Frank Carter and the Rattlesnakes about how they wrote, recorded and produced their latest album ‘Sticky’. Unearthing demos and recordings from their time in a Norfolk holiday cabin, the pair look back on how their process has changed over the years, sharing thoughts on broadening their horizons and blurring the lines of writing and recording. As well as personal stories of self-sabotage, imposter syndrome and competition within music, the pair single out the ingredients that form their chaotic cacophony of sound, from homemade microphones and recycling unused material, to tuning gunshots from Call of Duty. Listen to find out why you should collaborate with people that make you feel lazy, how to react when Dave Grohl brings you a tray of shots mid set, and why Frank may soon be performing Moonlight Sonata.   Tracks discussed: Rat Race, Go Get A Tattoo, Take It To The Brink   Listen to ‘Sticky’ here. ‘Sticky’ - Internatio

In this episode, John catches up with Mr Jukes, aka Jack Steadman, and Barney Artist to talk about how they wrote, recorded and produced their joint album ‘The Locket’. Breaking the elements down to their very beginnings, Jack talks us through his sampling process, from YouTube crate digging and detailed editing, to processing and pitching individual hits from his vault of free sample packs. As well as sharing their thoughts on privilege and ‘making it’ in the world of music, the pair reflect on their partnership, as friends and creatives, discussing some of the most fundamental elements that enabled its success. Listen to find out why Barney’s battered Peugeot 307 is on the album cover, why it’s not always best to tell a rapper you’ve been making beats, and how to turn a 70s jazz-fusion track into a football chant. Tracks discussed: Blowin Steam (Open Up Your Mind), The Locket, Vibrate   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘The Locket’ here. ‘The Locket’ - Locket Records,

In this episode, John heads over to Jungle’s West London HQ to catch up with Josh Lloyd-Watson about how the band wrote, recorded and produced their latest record ‘Loving in Stereo’. Having written a lot of the album in their shed over the last two years, Josh takes us all the way back to the almost 30-minute demos, talking through the process of cherry-picking the best parts and forming the tracks as we know them. As well as sharing his thoughts on originality, natural creative flow and knowing when to stop, we hear stories of building samples, constantly layering vocals, and blending synths, guitars and orchestral elements into a singular unified sound. Listen to find out how to get as close to the cheesy line as possible, what happens when you combine a Ron Burgundy flute solo with Baker Street sax, and how to do a great siren impression.  Tracks discussed: Keep Moving, All of the Time, Bonnie Hill   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Loving In Stereo’ here. ‘Loving I

In this episode, John links up with Dan and Wayne of Imagine Dragons to talk about how they wrote, recorded and produced their latest album 'Mercury - Act 1. Having spent almost three years writing almost 300 demos, Dan and Wayne look back on the process of whittling down the tracklist and forming the album, from capturing their ideas as quickly as possible, through to working with legendary producer Rick Rubin and deconstructing everything to its purest essence. As well as sharing their thoughts on creativity, songwriting and their life experiences in the world of music, the pair speak openly about the inspiration and meaning behind some of their most honest tracks to date, while also demonstrating how they let the subject of each song help define its production. Listen to find out why samples can sometimes work better than a live performance, how raw magic often is captured on a first take, and the wealth of instruments that Dan can create using only his mouth. Tracks discussed: Dull Knives, It’s Ok, Wrecke

Back in summer 2020, John headed over to The Church Studios to catch up with James Vincent McMorrow, Paul Epworth and Lil Silva to talk about how they wrote, recorded and produced James’s album ‘Grapefruit Season’. Taking tracks from Dublin to London to LA and back, James talks us through the myriad of iterations the songs went through, exploring the different writing situations and how all of his collaborators had such varied musical impacts. Paul and TJ lend their producer expertise pulling out individual stems and breaking songs apart, as well as discussing their approaches towards bringing energy to the studio, and sharing thoughts on how production, sounds and songwriting are one and the same.  Listen to find out about the lyric James spent all of his life waiting for, why Paul was such a terrible studio assistant and how a serendipitous ‘adapter’ hunt led to the trio’s partnership. Tracks discussed: Headlights, Gone, Paradise   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Gr

In this episode, John returns to Pixel studios to chat with Maisie Peters and producer Joe Rubel about how they wrote, recorded and produced Maisie’s debut album ‘You Signed Up For This’. Going through their WhatsApp log of voice notes and ideas, Maisie and Joe look back on the chaotic methods of bringing an album together over lockdown, pulling apart how they carefully married Maisie’s original acoustic sound with more produced elements. Alongside the wealth of Joe’s production goodness, Maisie sheds some light on her lyric writing process, from the internal rhyming patterns and carefully considered syllables in her writing, to the subtle nods hidden throughout each track. Listen to find out why Maisie wouldn’t play instruments on her own songs, how to proceed after deciding it’s time to write a banger, and which part of a song you will now have to try and clap along to. Tracks discussed: You Signed Up For This, I’m Trying (Not Friends), Love Him I Don’t   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/ta

In this episode we look back over Season 8 picking out a selection of highlights and some of the most memorable moments from the artists and producers we were lucky enough to speak to. If you haven’t heard every episode from the last season, this is a good way to introduce yourself to some of the guests we’ve had on and hear some of their top studio tips, writing processes and all-round philosophies towards creating a record.    You’ll hear highlights from:  Royal Blood Girl In Red and Matias Tellez Rostam Dodie and Joe Rubel Johnny Flynn and Charlie Andrew Fred Again.. Easy Life and Rob Milton   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to the albums featured this season with the links below. Royal Blood - ‘Typhoons’ Girl In Red and Matias Tellez - ‘if i could make it go quiet’ Rostam - ‘Changephobia’ Dodie and Joe Rubel - ‘Build a Problem’ Johnny Flynn and Charlie Andrew - ‘Lost in the Cedar Wood’ Fred Again.. - ‘Actual Life (April 14th – December 17th 20

In this episode, John is reunited with Murray Matravers from Easy Life and producer Rob Milton, to talk about how they wrote, recorded and produced the band’s debut album ‘Life’s A Beach'. From recording in and around lockdowns, in basements, bedrooms and studios, Murray and Rob reflect on the writing process, singling out the sounds, ideas and samples that encapsulate the meaning within the songs. As well as thoughts on retaining fun in the music and creating joke ideas, we hear stories of intentionally not wanting things to sound good, along with the not very Easy Life elements that are crucial to an Easy Life track. Listen to find out what to do when you’re stuck in garage MC mode, how many times Rob recorded the word ‘Skeletons’, and which synth line made Murray cry (and still does). Tracks discussed: skeletons, ocean view, homesickness   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘Life’s A Beach’ here. ‘Life’s A Beach’ - Universal Music, Island Records Intro Music - Sunshine

In this episode, John catches up with Fred Gibson, better known as Fred Again.., to talk about how he wrote, recorded and produced the album ‘Actual Life (April 14 - December 17 2020)’. Having written and produced almost all of the album outside of the studio, Fred talks us through his recording and sampling process, digging into the ways in which each new environment helped shape the individual sound of each track. Fred enlightens us on the best bits about recording on an iPhone and why it’s so key to his writing process. We’re treated to stories of recreating the voice notes compressor in Logic, jamming along with tracks in the club and playback sessions in the pub. Listen to find out how a small change in harmony can completely reframe emotion, why mixing will never solve any song problems, and the best ways to fill time when you're not feeling inspired. Tracks discussed: Sabrina (I Am A Party), Me (Heavy), Angie (I’ve Been Lost)   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘