Dig Me Out - The 90's Rock Podcast

While G. Love is currently doing the press circuit to discuss his latest album, Philadelphia Mississippi, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record deal. As glam became grunge, and grunge became pop-punk, G. Love’s alternative hip-hop with blues-style guitar playing was a bit of an anomaly though, in retrospect, artists like Beck and Fun Lovin’ Criminals could now be considered peers. A deal with Sony imprint Okeh was solidified in ‘94 with the release of the first G. Love and the Special Sauce album and G. Love got into the write, record, tour cycle for the rest of the decade releasing three more albums before the turn of the new century. Looking at G. Love’s discography, he never slowed down though he left Okeh to release solo - and band - albums on Brushfire R

In the 1990s Dinosaur Jr. was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle, and with J growing into a guitar shredder somewhere between Sonic Youth and Neil Young. On each of their three releases, the band grows as songwriters and players, and production considerably improves as the studios and budgets slowly increase. We dive into the early years to hear the earliest inklings of what the band would later become on albums like Green Mind and Without A Sound.   Songs In This Episode: Intro - The Leper from Dinosaur 17:49 - Repulsion from Dinosaur 28:21 - In a Jar from You're Living All Over Me 34:03 - The Lung from You're Living All Over Me 41:06 - No Bones from Bug Outro - Freak Scene from

Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Most Famous Undertaker," but the majority of the album isn't so straightforward. With a "junk" percussionist, there is a pallet of sounds not regularly heard on most alternative rock records of the decade.   Songs In This Episode: Intro - Watch The Fat Man Swing 23:05 - Wide Open 28:22 - All The Things I've Lost 35:24 - Vomit Ascot Outro - The Worlds Most Famous Undertaker   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut Pet Your Friends, Dishwalla returned in 1998 with And You Think You Know What Life's About. From the opening track, the band play with sounds and melodies that stretch from the industrial rock of Stabbing Westward to the big choruses of Oasis to the experimental quirk of Radiohead. The album is unafraid to go BIG, with soaring guitar lines and vocals, but does it add it up more than just a collection of disparate influences?   Songs In This Episode: Intro - Healing Star 11:56 - Stay Awake 18:03 - Until I Wake Up 23:06 - Pop Guru Outro - Bottom Of The Floor   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like Little John either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the band crafted some earworms alongside some less engaging album tracks. From the opening title track to the Presidents Of The United States of America-esque "Evel Knievel," the band craft tight, fun songs that more people should know.   Songs In This Episode: Intro - Fell From The Sun 15:24 - Shoelace 22:05 - Scared 31:40 - Evel Knievel 40:49 - Derailer Outro - Down On Me   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

There isn’t a Dig Me Out listener who isn’t familiar with Everclear, a staple of ‘90s alternative rock radio and MTV. With a string of hits like “Santa Monica,” “I Will Buy You a New Life,” and “Father of Mine,” Everclear spent the better part of the decade relentlessly touring, playing to sold-out crowds around the globe. But, had it not been for the relative success of the band’s 1993 debut, World of Noise, Everclear might have been just another footnote in a long line of forgotten bands. Singer Art Alexakis had tried his luck in San Francisco with the band Colorfinger in the late ‘80s/early ‘90s but after that band’s demise, moved with his pregnant girlfriend to Portland, Oregon where he decided to give the music thing one last try. Though World of Noise was cheap to make, the songs that Alexakis recorded with bassist Craig Montoya and drummer Scott Cuthbert - rough and raw as they were - caught the ears of major label A&R reps looking for the “next Nirvana.” After an initial release on indie label Tim

Face To Face had established themselves over their first three albums as a skate punk band with elements of Bad Religion and Hüsker Dü. But for 1999's Ignorance Is Bliss, they purposely showed the tempos and expanded the pallet to a much more alternative rock sound. That left some fans confused, others angry, but also welcomed new listeners into the fold. Depending on whether you're a punk purist or prefer creative detours, there is plenty to enjoy on the album, which sounds confident and catchy in a way that only veteran players with songwriting chops could pull off.   Songs In This Episode: Intro - Heart of Hearts 15:37 - The Devil You Know (God Is A Man) 22:33 - Prodigal 27:26 - (A)Pathetic 40:25 - I Know What You Are Outro - Overcome   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Describing rock bands can be tricky, as there is usually a need for comparison to set expectations. In the cast of Headstones, it's not that simple. The band is heavy, but not metal. They rock in a way that fits into the 90s, but they're not grunge or alternative. Smart lyrics, big guitar riffs, and short catchy songs that have hints of Australian bands like AC/DC or The Angels, with a touch of Guns 'n Roses and even a ballad or two. On their 1993 debut Picture of Health, all the ingredients for a smash hit debut are there, and while the band is beloved in Canada, they didn't make a ripple outside their home country.   Songs In This Episode: Intro - When Something Stands for Nothing 17:10 - Heart of Darkness 22:39 - Oh My God 35:19 - It's All Over Outro - Judy   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Composed of Jean-Luc De Meyer of Front 242, Mark Heal of Cubanate, and Ged Denton of Crisis n.T.i., along with special appearances by members of Front Line Assembly and Haujobb, C-Tec is something of a 1990s industrial supergroup. What that allows is the members to experiment on their debut Darker with a broader range of sounds away from their regular bands, like including breakbeats on "Being Nothing," going 80s on "The Lost," or punishing noise on "Shift IV." Of course, there are some four-one-the-floor thumpers made for the 12" remix, like the Rammstein-esque "Foetal" and driving "Stateless." A few of the tracks take a little more time than necessary to get going, and De Meyer's vocal approach won't be for everyone, but Darker is a worthwhile album to add to your industrial collection.   Songs In This Episode: Intro - Flowing 10:25 - Being Nothing 15:37 - Foetal 25:38 - Flowing 28:19 - Shift IV Outro - The Lost   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutP

The EP, that strange format in-between singles and albums. What makes up an EP? It can be anything - all new material, demos, live tracks, remixes, or anything else an artist (or record label) can think of. While around since 1919, the EP format never had a more successful decade on the charts than in the 1990s. "Jar of Flies" by Alice In Chains became the first artist to have an EP reach number one on the Billboard 200 chart, and that wasn't the only commercially successful EP of the era. Nine Inch Nails, Ugly Kid Joe, Radiohead, My Bloody Valentine, Nirvana, Ride, The Smashing Pumpkins, and many more released essential music on EPs.   Songs In This Episode: Intro - EP of the 90s Medley (Wish by Nine Inch Nails, I Stay Away by Alice In Chains, Blue by The Smashing Pumpkins) 15:15 - Everything About You by Ugly Kid Joe 22:40 - Making Love by Shiner 35:23 - Come See About Me by The Afghan Whigs 42:51 - JC Auto by Sugar 53:38 - One Too Many Mornings - The Dust Brothers 1:08:54 - I Could See The Dude by Spoon Ou

Melbourne, Australia's Sandpit only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo, there are slowcore and post-hardcore benchmarks the band hits with ease, while still creating interesting guitar lines between the crawling drum and snare hits.   Songs In This Episode: Intro - Hold Yr Horses 11:23 - Walking in a Straight Line 19:04 - Metamorphosis 21:52 - I Positively Hate You Now 24:16 - Along The Moors Outro - Helicopters   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Known as the more melodic half of the New Zealand alternative "Dunedin Sound" rock band Straightjacket Fits for their first two albums, Andrew Brough left in the early 90s to forge his own path. By the mid-90s Bike had formed and in 1997 would deliver their one and only album, Take In The Sun. The name is appropriate, as the album is full of shimmering, psychedelic sounds, and melodies that cry out for sunshine and warmth. But the band isn't a 60s retro act, incorporating fevered 80s alternative like on "Keeping You In Mine" or shoegaze noise on "Inside." On a pair of headphones, the album swirls and surrounds the listener, an aspect lost on lesser speakers that may turn off less engaged ears. As mentioned in the episode, our Patreon suggester wrote a eulogy for Andrew Brough after his passing in 2020 that is worth your time.   Songs In This Episode: Intro - Take In The Sun 10:35 - Save My Life 18:20 - Inside 23:44 - Keeping You In Mine Outro - Circus Kids   Support the podcast, join the DMO UNION at Patreon.

On their 1993 debut Bring It Down, Madder Rose's Mary Lorson brings melodic sharpness and emotional depth to her vocals that helps make the band special. Billy Coté's guitar matches Lorson, weaving intricately disjointed solos and leads, while also bringing in shoegaze-styled textures and noise. This gives the band a unique niche in 90s rock, somewhere between the East Coast alternative rock of Belly, Letters to Cleo, or the Breeders along with UK bands like Lush or Slowdive. But with all the magic happening in the songwriting and performances, the end result is missing a gear. A lackluster production, with thin guitars and bass, doesn't give the band a needed punch when the energy levels rise.   Songs In This Episode: Intro - Beautiful John 22:03 - While Away 29:22 - Swim 34:43 - Altar Boy Outro - Bring It Down   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Though Steelheart was considered a new band when its self-titled release came out in 1990, the nucleus of the band had been together for nearly a decade. As Red Alert, the band spent most of the ‘80s honing songwriting skills and recording demos in Connecticut while playing occasional shows in a state that didn’t offer a lot of opportunities for a hard rock band. With a plane ticket and 4-song demo cassette in hand, the band, now called Steelheart, scored a record deal almost immediately after relocating to Los Angeles and within a year of moving to the West Coast, Steelheart was topping charts with “I’ll Never Let You Go (Angel Eyes)” which showcased Milijenko Matijevic’s soaring and glass-shattering vocals. With a modest level of success, the age old question of, “What would have happened had Steelheart moved to L.A. five years earlier?” is one that Matijevic has considered but knows he’s powerless to answer. After playing 50 shows in support of 1992’s Tangled in Reins, Steelheart played a Halloween gig ope

While bedroom recordings are nothing new to the music world, especially after the availability of cassette four-track recorders in the 1980s, going from crude demos to fully fleshed-out compositions is something else entirely. Many artists have taken advantage of computer-based recording programs in the 2000s, but musicians like F.M. Cornog, under the name East River Pipe, figured out to take an eight-track reel-to-reel home recording set-up and eschew any limitations. On the 1994 compilation Shining Hours In A Can, shimmering guitars and atmospheric keys backed by minimalist production give the sound a lo-fi Bruce Springsteen feel, with songs loaded up on regret, solitude, and loneliness.   Songs In This Episode: Intro - Make A Deal With The City 10:48 - Helmet On 14:48 - My Life Is Wrong 22:00 - She's A Real Good Time 31:55 - Psychic Whore Outro - Axl or Iggy   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

The Manchester music scene gained notoriety long before Ian Brown and Shaun Ryder thanks to 1960s artists like The Hollies, The Bee Gees, and Herman's Hermits. Following the rise of punk, Manchester provided their own twist with bands like Joy Division and New Order, The Smiths, and The Fall breaking out at home and abroad. But our focus is on the unique combination of guitar-driven rock and underground rave music that morphed into what became known as Madchester. Combining funky, percussive rhythms with everything from 80s college rock to 60s psychedelic, the brief window of the late 80s and early 90s created a unique blend of danceable rock music paired with DJs and club music that became a small factor in the eventual rise of Britpop.   Songs In This Episode: Intro - Fool's Gold by The Stone Roses 13:27 - Dragging Me Down by Inspiral Carpets 26:08 - I'm Free by The Soup Dragons 33:15 - Pacific State by 808 State 46:02 - Sit Down by James Outro - Step On by Happy Mondays   Support the podcast, join the DMO

Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to burst. Karate adds a twist with jazzy phrasings and even a dirgy blues riff, giving the band an opportunity to work with a wider sonic pallet while leaving plenty of open space that occasionally feels underdeveloped.   Songs In This Episode: Intro - It's 98 Stop 17:30 - New Martini 27:22 - New Hangout Condition 35:46 - Wake Up, Decide Outro - Die Die   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Though Chad Fischer’s musical resume begins with School of Fish, the drummer didn’t play on either of the band’s two full-length albums. Just before the recording of 1993’s Human Cannonball, Fischer was fired by producer Matt Wallace who brought in session drummer Josh Freese to play on the album. When Freese was unable to tour with School of Fish due to other commitments, Fischer rejoined as the live drummer until the band broke up shortly thereafter. Knowing that he wanted to make a living in music, Fischer acquired gear and built a recording studio where he recorded not only his post-School of Fish band, Lazlo Bane, where he sang and played guitars, but worked on a number of releases by artists like Star 69 and Jeremy Toback. A chance meeting with Colin Hay (Men at Work) resulted in a personal - and working - relationship that continues to this day. Perhaps Fischer’s biggest musical accomplishment, however, was writing the song “Superman” which became the theme song for the long-running NBC comedy, Scrubs.

New Radicals, the band that wrote the ubiquitous single "You Get What You Give" which will never the airwaves, was the brainchild of Gregg Alexander and former child actor Danielle Brisebois, the former who had previously failed to breakthrough in the late 80s/early 90s solo artist. Donning the iconic bucket hat and calling-out (then) current celebrities like Courtney Love and Beck gave critics something to spill ink about, but the overall 1998 release Maybe You've Been Brainwashed Too never got the attention the single managed. Drawing on pop from several decades and angles, the band moves effortlessly between 90s alt-rock less expected sounds like the soulful bounce of Hall and Oates or twists and turns of Todd Rundgren. While the album hones in on specific moods, like longing blue-eyed soul on one track and Badfinger-esque 70s pop on the next, the variety of players gives the overall record an inconsistent vibe with tracks often exceeding their welcome by a minute or two.   Songs In This Episode: Intro - Y

Alternative in the late 80s included several artists who successfully mixed funk and hip-hop with hard rock and metal, such as Faith No More, Living Colour, and the Red Hot Chili Peppers. In Melbourne, Australia, Defryme would form in 1989 with a similar sound, but it would take them five years to release their debut Purekiller. By that time, the fusion of hip-hop, funk, and metal was a far less original concept, and while Defryme craft a handful of tight tracks, the band struggles with consistency. The catchy hook of "Therapy" is absent on at least half of the record, which dips into yarling grunge territory on "Sanity" and attempts an ill-advised cover of LL Cool J's "Mama Said Knock You Out."   Songs In This Episode: Intro - Pure Killer 12:03 - Gunn 22:57 - Therapy 33:12 - Sanity Outro - Rivers   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.