Record Review Podcast

Iain Burnside chooses his favourite recording of Mozart's Quintet for Piano and Wind K.452. Mozart wrote his famous Quintet in E flat major for Piano and Winds in 1784 and it was premiered at the Imperial and Royal National Court Theater in Vienna. Shortly afterwards, Mozart wrote to his father: "I myself consider it to be the best thing I have written in my life." It is scored for piano, oboe, clarinet, horn and bassoon. And most people seem to agree with the composer that it is indeed one of his best pieces - with its amazing wind-writing and life-enhancing energy. Presented by Andrew McGregor.

Musicologist Dr Flora Willson chooses her favourite recording of Mahler's orchestral song cycle Das Lied von der Erde.Mahler's Das Lied von der Erde, 'Song of the Earth', is a set of six songs for two voices and orchestra, but is it a song-cycle or a symphony? Mahler certainly intended for Das Lied von der Erde to reflect the world in co taining everything, the whole range of human emotions and earthly experience, but the work doesn't easily fall into either the category of song-cycles or truly symphonic works. Mahler drew his texts for Das Lied from a compendium called The Chinese Flute, a translation of Chinese poems by the German poet Hans Bethge.Mahler wrote Das Lied von der Erde in 1908-9 within a year of losing his beloved daughter Maria and receiving the diagnosis of the heart condition that would kill him in 1911. The work begins and ends with two of Mahler's most famous songs: Das Trinklied vom Jammer der Erde (The Drinking Song of Earth’s Sorrows) and Der Abscheid (The Farewell), a hauntingly beauti

Conductor and choral expert Jeremy Summerly chooses his favourite recordings of Carl Orff's iconic cantata, Carmina Burana. Carl Orff composed his cantata in 1936, based on 24 poems from the medieval collection Carmina Burana. The poems cover a wide range of subjects, which are just as topical today as they were in the 13th century: the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of spring, and the pleasures and perils of drinking, gluttony, gambling, and lust. Orff said to his publisher "Everything I have written to date, and which you have, unfortunately, printed, can be destroyed. With Carmina Burana, my collected works begin." It became the most famous piece of music composed in Germany at the time. Presented by Andrew McGregor.

Academic and Sibelius enthusiast Dr Leah Broad chooses her favourite recordings of Sibelius' Violin Concerto. Presented by Andrew McGregor.

Baroque music specialist Dr Simon Heighes chooses his favourite version of Bach's Motets. These technically challenging works contain some of Bach's very best music and can be thrilling in performance by a top-notch group of singers. They're also the only of Bach's vocal works that stayed in the repertoire without interruption between his death in 1750 and the 19th-century Bach Revival. Recordings reviewed include performances by The Sixteen and Voces8 & The Senesino Players. Presented by Andrew McGregor.

Pianist and composer Yshani Perinpanayagam chooses her favourite recording of Shostakovich's Piano Concerto No. 2. We hear at the keyboard, amongst others, Alexander Melnikov, Cristina Ortiz and the composer himself. Presented by Andrew McGregor.

Broadcaster and baroque flautist Hannah French selects her favourite recording of CPE Bach's Cello Concerto in A Major. Cellists featured include Alison McGillivray, Steve Isserlis and Truls Mørk. Conductors range from Andrew Manze and Jonathan Cohen to Gustav Leonhardt and Susanne von Gutzeit. Andrew McGregor presents.

Writer Anna Picard chooses from her favourite recordings of Bedřich Smetana's set of six symphonic Czech tone poems, Má Vlast. Performances range from 1939 to 2016, and include no less than six versions by the Czech Philharmonic. Andrew McGregor presents.

Writer and lecturer Richard Wigmore chooses his favourite recording of Haydn's Oxford Symphony, No. 92 in G Major. Performances featured include: the Hanover Band, conducted by Ron Goodman; the London Symphony Orchestra with Colin Davis; and Thomas Fey conducting the Heidelberger Sinfoniker. This is an edited version of the regular Building a Library slot where guest experts review available recordings of a work from the classical music repertoire and give a recommendation. Presented by Andrew McGregor.

Nigel Simeone picks his favourite recording of Stravinsky's Violin Concerto in D

Katy Hamilton picks her favourite recording of R Schumann's Piano Quintet in E flat major

William Mival picks his favourite recording of Tchaikovsky's Symphony No 5 in E minor

Lucy Parham picks her favourite recording of Mozart's Piano Concerto No 24 in C minor

Kirsten Gibson selects her favourite recordings of Monteverdi's Madrigals

Jeremy Sams selects his favourite recordings of Ravel's Introduction and Allegro

Iain Burnside selects his favourite recordings of Debussy's Études

Elin Manahan Thomas selects her favourite recordings of the music of Josquin des Prez

Tom Service selects his favourite recordings of Bruckner's Sixth Symphony

Jonathan Cross chooses his favourite recording of Stravinsky's Pulcinella.

Kate Molleson chooses her favourite recording of Bela Bartok's String Quartet No 5