We Have A Technical

We're joined by Matt Green and Athan Maroulis on this month's commentary podcast to discuss their memories of and reflections upon Spahn Ranch's 1995 sophomore LP The Coiled One, on the occasion of its recent remaster and reissue. Matt and Athan speak with us about the membranes between industrial, goth, and general 90s alternative culture, the role of clean vocals, and plenty more. 

We're navigating some illness on the Senior Staff's part to bring you discussion of records we missed last year by Container 90 and Vacious Cuerpos. We're also talking about Ted Phelps, Substance, and forthcoming Haujobb and Encephalon records.

Prompted by catching an absolutely electric show from all around cross-genre rock legends The Damned this past weekend, we're dedicating this week's episode to discussing their history, their strengths, and the ways they've drifted in and out of proximity to and influence on goth while maintaining their own utterly groovy sense of cool. We're also discussing some coverage of recent darkwave in The Guardian.

It's a very specially formatted episode of the podcast this week, as we're joined by three of our Patreon backers to discuss records by Steril, Black Light District/Coil, and GusGus. These episodes are always a treat as they prompt us to listen to records we might not have otherwise considered for the podcast, or listen to old favourites from new perspectives. Thanks very much to Dave, Jeremy, and Adam for joining us!

We're happy to present an interview with Mark Burgess of legendary UK act Chameleons on this week's podcast. The band was in town on the first leg of their Strange Times album tour, but are also hot on the heels of their first new material in over two decades, so there was a lot Mark was enthused to discuss with us. In addition to offering our own thoughts about the Chameleons show, we're also throwing in our two cents about the Praga Khan/Lords of Acid tour which made its was through Van.

We have a Pick Five episode of the podacst for you folks this week, as we're trekking twenty years back to look at some representative records from 2004, spinning out of a conversation about that era on our recent [:SITD:] commentary. Also some talk about the New Beat Blind test and the Purple City fest in Edmonton.

Fifteen years on from its release, we're looking back at Rot, the high watermark for Germany's [:SITD:], on this month's commentary podcast. It's a record which stood out at the time in terms of structure and sound design compared to a relatively creatively inert club industrial scene, and we're getting into the minutiae of why that is. 

The odd pairing of Gitane Demone and Mark Ickx for the Demonix project, as well as some of David Thrussell’s earliest dark ambient experimentation as Black Lung make up the body of this classically formatted, accidentally 1994-focused two albums episode of We Have A Technical. We’re also discussing Spencer Sunshine’s delivery of receipts concerning Boyd Rice’s participation in neo-nazism. 

Despite our post-fest blues and exhaustion, we're back to bring you a plus-sized version of the podcast breaking down each and every act we caught this past weekend at Verboden Festival here in our own Vancouver backyard. Relive the memories if you were on the trip with us, and flag a couple of live acts to keep an eye out for if you weren't. 

In this week’s episode of We Have A Technical, we’re jumping off from a discussion Bruce had last week with our friends at Cemetery Confessions in order to examine the idea of the goth-industrial club format. A marriage of necessity? One which yielded productive hybridization? Is it of use or salience today? Was it ever? We’re touching upon all of this, as well as the death of legendary engineer Steve Albini and some Sisters touring news.

Classic two albums format of the podcast for you this week folks, with a pair of fairly obscure records from a couple of decades back under the microscope. First up, the fanatic devotion to and imitation of Front 242 shown by Mastertune on their second LP prompts some discussion of the je ne sais quois possessed by the Belgian masters which makes that sort of homage so rare and awkward. Next, the synthpunk/deathrock car wreck of the Bay Area's Subtonix getsd us talking about what we are and aren't interested in in those genres.

A 2001 record which was rather out of step with industrial club styles of the time, Stromkern's Armageddon proved to cast a long thematic shadow as well as stand the test of time musically. We're discussing Ned Kirby's electro-acoustic arrangements, the eerie political polyvalence of its addressing of fanaticism, and how the album left a mark on the midwest industrial scene in this month's Patreon-supported commentary podcast.

It's a Pick Five formatted episode this week, and we're each trying to find tunes which summarize or represent the larger catalogs and aesthetics of the artists involved; a surprisingly difficult task as we found it.

At long last, we're proud to present the 500th episode of We Have A Technical. We're joined by Joakim Montelius and Eskil Simonsson of the legendary Covenant to discuss the entire history and discography of the innovative electronic project. From industrial to techno to EBM and from teenage friendships to major label deals to fractures within the band, Joakim and Eskil spent nearly three hours with us laying down what we hope stands as the definitive interview with this storied and beloved act.

As we often like to do when a new album by a landmark legacy band is released, we're setting this week's podcast aside for the discussion of Rampen - APM: Alien Pop Music, the brand new LP by industrial royalty Einstürzende Neubauten. We're making some attempts to situate the record in relation to the rest of the latter-era Neubauten catalog, but also spinning off into discussion of Blixa Bargeld's poetics, the exactitude of the band's not-so-noisy percussion, and the experience of listening to a new record by a band as storied as Neubauten.

The thorny issues of social media and general online presentation and how they shape our understanding of artists is the subject of this week's podcasts. From gaining additional context about a record to seeing other sides of artists to the perils of parasocial delusion, we're talking about the ins and outs of what we do and don't see of artists online. All that, plus discussion of the allegations against Arnaud Rebotini and our experience at the HEALTH show.

Some numeric jiggery-pokery? From us? To do with the chronology of We Have A Technical? Never. On this episode we're looking at records from Black Tape For A Blue Girl and Black Strobe, plus running down news related to Nitzer Ebb, and the Cold Waves ans Terminus festivals.

We have a special two-part version of We Have A Commentary for you this week, as we're tackling both discs of the Mick Mercer-curated Gothic Rock compilation, a companion record to Mercer's book of the same name. In the first instalment, we're discussing some absolutely foundational tracks by the likes of Bauhaus, X-Mal Deutschland, Virgin Prunes, and plenty of others, noting both the variety of sounds and the emergence of unifying tropes across the genre's early years. Stay tuned for our discussion of the second disc this weekend! 

We ain’t getting any younger, and neither are the formative records which turned us into the sort of sick bastards who’d end up running a website for a dozen years and a podcast for nearly 500 episodes dealing with industrial music. To wit, on the occasion of Trent Reznor and so many other people’s comments on the thirtieth anniversary of The Downward Spiral, we’re dusting off our scratched CDs, getting our hand-dubbed tapes out of storage, and reconsidering one of the records which shaped our understanding of music in general, let alone industrial, lo those many years ago. Regular listeners will know that we barely ever talk NIN on this podcast simply because it’s well-worn territory by outlets much larger and broader than us, but this felt like the right time to do so. All that, plus some Of The Wand & The Moon and Gridlock talk.