New Books In Biography

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson’s early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter.  A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson’s life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson’s photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city’s history and culture: the creation of the first gay Carnival krewes who would

In Afterlives of Affect: Science, Religion, and an Edgewalker’s Spirit (Duke UP, 2020), Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942-1998) as a point of departure for what he calls an excitable anthropology. As part of a small collective of scholars who devised the first compelling arguments that Maya hieroglyphs were a fully grammatical writing system, Schele popularized the decipherment of hieroglyphs by developing narratives of Maya politics and religion in popular books and public workshops. In this experimental, person-centered ethnography, Watson shows how Schele’s sense of joyous discovery and affective engagement with research led her to traverse and disrupt borders between religion, science, art, life, death, and history. While acknowledging critiques of Schele’s work and the idea of discovery more generally, Watson contends that affect and wonder should lie at the heart of any reflexive anthropology. With this singular examination of Schele and the

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston’s Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart’s intellectual productions, as she called them, ranged across topics from true emancipation

The Marion Thompson Wright Reader, edited by Graham Russell Gao Hodges, the George Dorland Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University, and the author of Black New Jersey: 1664 to the Present Day (Rutgers University Press, 2019), is the first book-length text on Marion Thompson Wright—the first African American woman to earn a PhD in history from a U.S. college or university. This Reader includes a seventy plus page biographical essay on Wright, a reviews and notes section, essays and Wright’s The Education of Negroes in New Jersey first published by Columbia University Press in 1941. Hodges utilizes a set of letters written by Wright to friends and family members as well as never published before images of Dr. Wright with family members; including photos of her children. There exists no more comprehensive a text on Wright in terms of the bibliographic sketch contained in this book and coupled with the writings of one of the foremost historians of the early

Although largely unknown in the West, the Russian novelist and political essayist Konstantin Nikolaevich Leontiev (1831-1891) has left a strong legacy in his homeland. He has often been compared to Friedrich Nietzsche, yet his writings predate those of his German counterpart by several decades. Also, unlike his German counterpart came to embrace a very ascetic form of Orthodox Christian faith. For decades he bravely clashed with many of the greatest minds of 19th century Russia on subjects ranging from ethics, art, geopolitics, Russia's place in the world, the historical cycles of civilizations, and especially religious faith. Glenn Cronin's Disenchanted Wanderer: The Apocalyptic Vision of Konstantin Leontiev (Northern Illinois University Press, 2021) is the first major English-language study in over fifty years on this enigmatic figure of Russian intellectual history. Glenn Cronin is a contributing author to Ideology in Russian Literature and holds a PhD in Russian studies from the University of London. Step

Timothy Brennan is Professor of Comparative Literature, Cultural Studies, and English at the University of Minnesota. He is the author of several seminal books in literary studies, including Borrowed Light: Vico, Hegel, and the Colonies, published by Stanford University Press in 2014, Secular Devotion: Afro-Latin Music and Imperial Jazz published by Verso in 2008, and Wars of Position: The Cultural Politics of Left and Right published by Columbia University Press in 2006, among others. In this episode we talk to him about his recent book Places of Mind: A Life of Edward Said published by Farrar, Straus, and Giroux in March 2021. Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as

Today I talked to Vivian Kirkfield about her book Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe (Little Bee Books, 2020). Ella Fitzgerald and Marilyn Monroe. On the outside, you couldn't find two girls who looked more different. But on the inside, they were alike--full of hopes and dreams and plans of what might be. Ella Fitzgerald's velvety tones and shube-doobie-doos captivated audiences. Jazz greats like Louis Armstrong and Duke Ellington couldn't wait to share the stage with her, but still, Ella could not book a performance at one of the biggest clubs in town--one she knew would give her career its biggest break yet. Marilyn Monroe dazzled on the silver screen with her baby blue eyes and breathy boo-boo-be-doos. But when she asked for better scripts, a choice in who she worked with, and a higher salary, studio bosses refused. Two women whose voices weren't being heard. Two women chasing after their dreams and each helping the other to achieve them. This is the i

In this episode of QUEER VOICES OF THE SOUTH, I talk with ANDREW J. KUNKA, who is a professor of English and division chair at the University of South Carolina Sumter. He is the author of the book Autobiographical Comics and has also published articles and book chapters on Will Eisner, Kyle Baker, Doug Moench, Jack Katz, and Dell Comics. The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth (Rutgers UP, 2021) tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series Gay Comix, and publishing the graphic novel Stuck Rubber Baby, partially based on his own experience of coming of age in the Civil Rights era. Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over

Today, the Big Bang is so entrenched in our understanding of the cosmos that to doubt it would seem crazy. But as Paul Halpern shows in Flashes of Creation: George Gamow, Fred Hoyle, and the Great Big Bang Debate (Basic Books, 2021), just decades ago its mere mention caused sparks to fly. At the center of the debate were Russian American physicist George Gamow and British astrophysicist Fred Hoyle. Gamow insisted that a fiery explosion explained how the elements of the universe were created. Attacking the idea as half-baked, Hoyle countered that the universe was engaged in a never-ending process of creation. The battle was fierce. In the end, Gamow turned out to be right -- mostly -- and Hoyle, despite his many achievements, is remembered for giving the theory the silliest possible name: "The Big Bang." Halpern captures the brilliance of both thinkers and reminds us that even those proved wrong have much to teach us about boldness, imagination, and the universe itself. Galina Limorenko is a doctoral candidate

Mary Sully was many things: a Dakota woman, an artist, and an American living through a heyday of early celebrity culture in the United States. All of these facets of her life and of her context are present in her art. In Becoming Mary Sully: Toward an American Indian Abstract (University of Washington Press, 2019), Harvard University professor and OAH President (and direct Sully relative) Phil Deloria uncovers Sully's artwork, long tucked away in family attics, and explains why it matters. Deloria argues that Sully's abstract "personality prints" representing various American celebrities of the early 20th century placed her outside the mainstream of the often "primitivist" Native art world of the era. Instead, Sully planted one foot firmly in modernism, while keeping the other rooted in Native art traditions, making her impossible to classify as one thing or another. Deloria tells a remarkably personal and beautiful story of an unheralded master of visual arts gazing into a new American and American Indian f

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Departm

Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him. Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymo

Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội (UP of Mississippi, 2021) tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain ja

Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With Banksy: Completed (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit Through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall. Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious Dismaland of 2015, a full-s

Elena Poniatowska is a legendary Mexican journalist who has chronicled popular celebrities, politicians as well as important social movements in Mexico since the 1968 Tlatelolco students massacre. Today I talked to Lynn Stephen, a professor of anthropology at the University of Oregon who has described in her book Stories That Make History: Mexico through Elena Poniatowska’s Crónicas (Duke UP, 2021) how Poniatowska’s personal and political trajectory intertwined with Mexico’s growing critical public after 1968. The earthquake of 1985, the Chiapas uprising and Subcomandante Marcos as well as the recent occupation of the Zócalo in Mexico City are in Stephen’s words “historical moments when the status quo is cracked open, when people take to the streets and demand change, when another future seems possible”. These are the moments when gifted writers and artists step up and document movements and create new historical actors. We might have read Elena Poniatowska but we didn't know her. Lynn Stephen has reflected o

Lucy's People: An Ethiopian Memoir (Yerada Lij,2021) is the inspiring story of a country and a life. Young engineer Mesfin grows up under Emperor Haile Selassie I in Ethiopia. She is mother to all her people. Under her sun and moon, women walk tall. Many are warriors, including his mother and grandmother. The boy comprehends the burden placed upon ethical military such as his colonel father. He defends Ethiopian borders and the socially marginalised. Like him, Mesfin defies those who thrive on brutality and treachery. With the 1974 communist revolution, how do the humane thrive? At the warfront, the conscripted teenager must never compromise his love for motherland and the children of Lucy. The humanoid fossil has survived almost intact for 3.2 million years in the Rift Valley. At what cost to her people does Ethiopia endure? In and out of prison, Mesfin nevertheless qualifies as a construction and civil engineer. An ancient Abyssinian role model is Saba (Queen Sheba), the engineering queen of Lake Tana. Her

Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Lin-Manuel Miranda's mauvais ton, Broadway show. But this deeply unflattering and ahistorical characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning master historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck.  In The Last King of America: The Misunderstood Reign of George III (Viking, 2021), Roberts paints a deft and nuanced p

In this lively, unexpected look at the hearts of animals—from fish to bats to humans—American Museum of Natural History zoologist Bill Schutt tells an incredible story of evolution and scientific progress. We join Schutt on a tour from the origins of circulation, still evident in microorganisms today, to the tiny hardworking pumps of worms, to the golf-cart-size hearts of blue whales. We visit beaches where horseshoe crabs are being harvested for their blood, which has properties that can protect humans from deadly illnesses. We learn that when temperatures plummet, some frog hearts can freeze solid for weeks, resuming their beat only after a spring thaw. And we journey with Schutt through human history, too, as philosophers and scientists hypothesize, often wrongly, about what makes our ticker tick. Schutt traces humanity’s cardiac fascination from the ancient Greeks and Egyptians, who believed that the heart contains the soul, all the way up to modern-day laboratories, where scientists use animal hearts and

The Strange Genius of Mr. O.: The World of the United States' First Forgotten Celebrity (Omohundro Institute of Early American History and Culture and the University of North Carolina Press, 2021) by Carolyn Eastman is at once the biography of a remarkably odd celebrity---a gaunt, opium-addicted Scottish orator who lectured in a toga--and a tour of the fledgling United States. James Ogilvie arrived in the United States in 1793 as an educated, impoverished, and deeply ambitious teacher. By the time he returned to Britain in 1819, he was a celebrity known simply as "Mr. O" who counted the nation's leading politicians, writers, and intellectuals among his admirers. Following Ogilvie on lecture tours from the Atlantic coast as far west as frontier Kentucky, Eastman reconstructs his path to renown, explaining how and why Ogilvie mattered to the citizens of the early republic. His example inspired countless men and more than a few women to become amateur orators and helped inaugurate America's golden age of oratory

Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet