New Books In Biography

This intimate and insightful account of the life of Dr. Harry (Hari) Dickman, referred to by Swami Sivananda as “the yogi of the West,” features more than fifty years of correspondence between Dickman and well-known yoga masters such as Swami Sivananda, Ramana Maharshi, Paramhansa Yogananda, and almost one hundred others. Marion (Mugs) McConnell, Dickman’s student, has created a brilliant and loving tribute to her teacher, who founded the Latvian Yoga Society in the early 1930s and later spread his knowledge in the U.S. with the blessings of Paramhansa Yogananda, author of Autobiography of a Yogi.  Offering a broad range of information on yoga history, theory, and techniques from a variety of different paths, Letters from the Yoga Masters (North Atlantic Books, 2016) contains a treasure trove of previously unavailable material and presents detailed teachings about pranayama, mudras, diet, and much more, all interwoven with stories and personal anecdotes. Taken together, the rare correspondence and personal ch

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went

A journey through an artist's quest for success, deep dive into substance abuse, family tragedy, and ultimate triumph. By the mid-1980s, singer-songwriter John Hiatt had been dropped from three record labels, burned through two marriages, and had fallen deep into substance abuse. It took a stint in rehab and a new marriage to inspire him, then a producer and an A&R man to have a little faith. By February 1987, he was back in the studio on a shoestring budget with a hand-picked supergroup consisting of Ry Cooder on guitar, Nick Lowe on bass, and Jim Keltner on drums, recording what would become his masterpiece, Bring the Family. Based on author Michael Elliott's multiple extensive and deeply personal interviews with Hiatt as well as his collaborators and contemporaries, including Rosanne Cash, Bonnie Raitt, Ry Cooder, and many others, Have a Little Faith: The John Hiatt Story (Chicago Review Press, 2021) is the journey through the musical landscape of the 1960s through today that places Hiatt's long career in

With the pressing work of decolonising our reading lists gaining traction in UK higher educational contexts, Decolonising the Conrad Canon (Liverpool UP, 2022) shows how those author-Gods most associated with the colonial literary canon can also be retooled through decolonial, queer, feminist readings. This book finds pockets of powerful anti-colonial resistance and queer dissonance in Joseph Conrad's lesser-known works - breathing spaces from the colonial rhetoric that dominates his novels - and traces the female characters who voice them off the page and into their transmedia (digital/illustrative/cinematic) afterlives. From Immada and Edith's queer gaze in The Rescue and the periodical illustrations that accompanied its initial serialization, to Aïssa's sustained critique of imperialism in An Outcast of the Islands and her portrayal on mass-market paperback book covers, to the structural female bonds of Almayer's Folly and Nina's embodiment in Chantal Akerman's adaptation La Folie Almayer, this book centre

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped ch

Most people can tell you two things about Clarence Thomas: Anita Hill accused him of sexual harassment, and he almost never speaks from the bench. Here are some things they don't know: Until Thomas went to law school, he was a black nationalist. In college he memorized the speeches of Malcolm X. He believes white people are incurably racist.  In The Enigma of Clarence Thomas (Metropolitan Books, 2019), Corey Robin--one of the foremost analysts of the right--delves deeply into both Thomas's biography and his jurisprudence, masterfully reading his Supreme Court opinions against the backdrop of his autobiographical and political writings and speeches. The hidden source of Thomas's conservative views, Robin argues, is a profound skepticism that racism can be overcome. Thomas is convinced that any government action on behalf of African-Americans will be tainted by this racism, and that the most African-Americans can hope for is that white people will get out of their way. There's a reason, Robin concludes, why lib

Only days after the Japanese attacked Pearl Harbor, President Franklin D. Roosevelt tapped Chester W. Nimitz to assume command of the Pacific Fleet. Nimitz was not the most senior candidate available, and some, including his new boss, U.S. Navy Admiral Ernest J. King, considered him a desk admiral, more suited to running a bureaucracy than a theater of war. Yet FDR's selection proved nothing less than inspired. From the precarious early months of the war after December 7th 1941 to the surrender ceremony in Tokyo Bay nearly four years later, Nimitz transformed the devastated and dispirited Pacific fleet into the most powerful and commanding naval force in history.  From the start, the pressures on Nimitz were crushing. Facing demands from Washington to mount an early offensive, he had first to revive the depressed morale of the thousands of sailors, soldiers, and Marines who served under him. He had to corral independent-minded subordinates--including Admiral Bill Bull Halsey and General Holland Howlin' Mad Sm

Dana Stevens joins Elizabeth and John to discuss Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man." Although packed with fascinating tidbits from Keaton's life, Camera Man is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" One Week ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish. People, Films, Books and Ideas in the conversation include: Roscoe ("Fatty") Arbuckle: got Keaton his start in early films like Butcher Boy, reportedly filmed the day Keaton first

Blackstar Theory: The Last Works of David Bowie (Bloomsbury, 2022) takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon. These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar

Will Jawando tells a deeply affirmative story of hope and respect for men of color at a time when Black men are routinely stigmatized. As a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, was shunted from school to school, never quite fitting in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive in class and on the playground. Eventually, he became close to Kalfani, a kid he looked up to on the basketball court. Years after he got the call telling him that Kalfani was dead, another sickening casualty of gun violence, Will looks back on the relationships with an extraordinary series of mentors that enabled him to thrive. Among them were Mr. Williams, the rare Black male grade school teacher, who found a way to bolster Will's self-esteem when he discovered he was being bullied; Jay Fletcher, the openly gay colleague of his mother who got him off junk food and took him to his first play; Mr. H

Charles, First Marquis of Cornwallis (1738-1805), was a leading figure in late eighteenth-century Britain. His career spanned the American War of Independence, Irish Union, the French Revolutionary Wars, and the building of the Second British Empire in India--and he has long been associated with the unacceptable face of Britain's colonial past. In Cornwallis: Soldier and Statesman in a Revolutionary World (Yale UP, 2022), Richard Middleton shows that this portrait is far from accurate. Cornwallis emerges as a reformer who had deep empathy for those under his authority, and was clear about his obligation to govern justly. He sought to protect the population of Bengal with a constitution of written laws, insisted on Catholic emancipation in Ireland, and recognized the limitations of British power after the American war. Middleton reveals how Cornwallis' rewarding of merit, search for economy, and elimination of corruption helped improve the machinery of British government into the nineteenth century. Richard Mi

Skye C. Cleary is a philosopher, writer and university teacher. In her new book How to Be Authentic: Simone de Beauvoir and the Quest for Fulfillment (St. Martin’s Press, 2022) offers an introduction to Beauvoir’s thinking about authenticity and how experience and situation shape the people we become. For Beauvoir, as an existential philosopher, we first exist and spend our lives not uncovering who we are but constructing our identity. Authenticity is the pursuit of self-creation and self-renewal. Under patriarchy women receive a set of myths that stand in the way of taking responsibility for our freedom. Through the experiences and the milestones of friendship, love, marriage, children and confronting death we have opportunity to choose who we will become. Because we live in interdependence with others, Beauvoir’s philosophy of the self and genuine living allows others to also achieve freedom in self-creation through reciprocity. Cleary has given us a lively written book drawing not only from Beauvoir’s life

Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt (Stanford UP, 2022) recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed. Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of th

The Discovery of Iran: Taghi Arani, a Radical Cosmopolitan (Stanford UP, 2021), opens with a fascinating passage about the 1934 decree whereby foreign delegates were instructed to refer to the country as Iran rather than Persian. In Ali Mirsepassi's view, the event closes a chapter on the long intellectual history of Iranian nationalism, which began in the often overlooked interwar era (1919-1935). Mirsepassi skillfully reconstructs the intellectual history of Iran during the interwar period by providing a holistic picture of the life and thought of Taghi Arani, a multifaceted public intellectual, a scientist, a cosmopolitan, and a Marxist. According to Mirsepassi, Arani's vision of Iran brings together cosmopolitanism with the idea of "civic nationalism" as a viable alternative to Soviet Marxism in the Global South. Arani's nuanced account of Iran as a nation has remained unacknowledged as an autocratic nationalism rises in Iran between 1934 and 1935. Yet, Arani's commitment to upholding the democratic ideal

Renowned as a printer, scientist, and diplomat, Benjamin Franklin also published more works on religious topics than any other eighteenth-century American layperson. Born to Boston Puritans, by his teenage years Franklin had abandoned the exclusive Christian faith of his family and embraced deism. But Franklin, as a man of faith, was far more complex than the “thorough deist” who emerges in his autobiography. As Thomas Kidd reveals in Benjamin Franklin: The Religious Life of a Founding Father (Yale University Press, 2018), deist writers influenced Franklin’s beliefs, to be sure, but devout Christians in his life kept him tethered to the Calvinist creed of his Puritan upbringing. Thomas Kidd is Research Professor of Church History at Midwestern Baptist Theological Seminary in Kansas City, Mo., and a Senior Research Scholar at Baylor University's Institute for Studies of Religion. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New Yor

Roger Zelazny (1937-1995) combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment.  In Roger Zelazny (University of Illinois Press, 2021), F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with …And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as “Home Is the Hangman” and “24 Views of Mt. Fuji, by Hokusai.” Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determ

To be an emergency room doctor is to be a professional listener to stories. Each patient presents a story; finding the heart of that story is the doctor’s most critical task. More technology, more tests, and more data won’t work if doctors get the story wrong. Empathy, creativity, and imagination are the cornerstones of clinical care. In Tornado of Life: A Doctor's Journey through Constraints and Creativity in the ER (MIT Press, 2022), ER physician Jay Baruch offers a series of short, powerful, and affecting essays that capture the stories of ER patients in all their complexity and messiness. Patients come to the ER with lives troubled by scales of misfortune that have little to do with disease or injury. ER doctors must be problem-finders before they are problem-solvers. Cheryl, for example, whose story is a chaos narrative of “and this happened, and then that happened, and then, and then and then and then,” tells Baruch she is "stuck in a tornado of life.” What will help her, and and what will help Mr. K.,

The imposition of Communist ideology was a misfortune for millions in Eastern Europe, but never for Dennis Deletant. Instead, it drew him to Romania. The renowned historian’s association with the country and its people dates back to 1965, when he first visited. Since then, Romania has made Dennis appreciate the value of shrewd dissimulation, in the face of the state’s gross intrusion in the life of the individual. This vivid memoir charts his first-hand experience of the Communist era, coloured by the early 1970s surveillance of his future wife Andrea; his contacts with dissidents; and his articles and BBC World Service broadcasts, which led to his being declared persona non grata in 1988.  In Search of Romania (Hurst, 2022) also considers how life went on under dictatorship, even if it was largely mapped out by the regime. How did individual citizens negotiate the challenges placed in their path? How important was the political police, the Securitate, in maintaining compliance? How did dissent towards the re

Since slavery, Black women have struggled to liberate themselves from racism and sexism. Yet despite these hurdles and under the most difficult circumstances, they managed to achieve greatness. Trailblazers: Black Women Who Helped Make America Great, American Firsts/American Icons (2leaf Press, 2021) shines a light on these their accomplishments, which often led to widespread cultural change. Trailblazers is a six-volume series that examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present who blazed uncharted paths in every conceivable way. Each Trailblazers volume is organized into several sections. Along with biographical information and powerful photographs, David provides a historical timeline for each section--written from the viewpoint of Black women--that maps out the significance of the featured women that follow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.su

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe. Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues pun