London Review Bookshop Podcasts

In this event from 2018, Brian Dillon, UK editor of Cabinet magazine and author of several books of essays, fiction, history and art criticism, talked about his first book, In the Dark Room, published by Penguin in 2005 and now available again in a handsome new edition from Fitzcarraldo, with Sophie Ratcliffe, Associate Professor in English, University of Oxford and author of On Sympathy (Oxford, 2008). Exploring the intersections of grief and memory, in his own personal history and beyond, Dillon evokes, in prose of great beauty and lucidity, the pain both of loss, and that of remembering the lost.  See acast.com/privacy for privacy and opt-out information.

Lynsey Hanley's Estates, first published by Granta in 2008, has become over the past decade one of the key texts to analyse Britain's urban landscape in the post-War period. To mark a new edition of her seminal work, Hanley, a regular contributor to the Guardian and the New Statesman, was in conversation with fellow journalist Dawn Foster, who has written widely on housing and social issues.  See acast.com/privacy for privacy and opt-out information.

In this event from June 2017, Brian Dillon talks to Max Porter about his latest book, Essayism (Fitzcarraldo Editions). Dillon has been fascinated by the essay form throughout his reading and writing life, and Essayism is at once a paean to this venerable and still vibrant genre, and a dazzling contemporary example of it. Porter is the author of the prize-winning Grief is the Thing with Feathers (Faber).  See acast.com/privacy for privacy and opt-out information.

Russian twentieth-century poetry is one of the pinnacles of European literature and we still know little about it. This event includes readings from Yesenin, Mayakovsky, Maria Petrovykh, Varlam Shalamov (still better known for his prose) and the emigre poet Georgy Ivanov, one of the very greatest of all Russian lyric poets. Stephen Capus, Robert Chandler, Boris Dralyuk and James Womack read some of their translations included in the new Penguin Book of Russian Poetry.  See acast.com/privacy for privacy and opt-out information.

As the nights close in, what could be better than to gather around the (virtual) hearth and consider multi-award winning poet Robin Robertson's shadow-wracked new collection, Grimoire (Picador).A grimoire is a manual for invoking spirits, and in Robertson's intense Celtic take, it tells stories of ordinary people caught up, suddenly, in the extraordinary: tales of violence, madness and retribution, of second sight, witches, ghosts, selkies, changelings and doubles, all bound within a larger mythology. This is a book of curses and visions, gifts both desired and unwelcome, full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.Joining Robertson in conjuring the spirit of place, people and purpose are Alasdair Roberts, the extraordinary singer-songwriter and keeper of the tradition, and the T.S. Eliot prize-winning poet Jen Hadfield, whose most recent collection is Byssus. With host, Gareth Evans..

Daisy Lafarge’s Life Without Air (Granta), following on the tails of her pamphlets understudies for air and capriccio, is one of the mostly hotly-awaited debut collections of 2020. She read from the collection, and was in conversation about it with Rachael Allen, author of Kingdomland (Faber) and Lafarge’s editor at Granta.  See acast.com/privacy for privacy and opt-out information.

London, the Capital of world capitalism, a centre of global finance and a place of immense wealth and privilege, has an often unacknowledged red underbelly, stretching from Herbert Morrison in the 1930s to Sadiq Khan in the 2020s. In Red Metropolis (Repeater), Tribune culture editor and historian Owen Hatherley looks back at that tradition, and argues that a socialist, democratic, pluralist city could become a beacon of hope for the whole country and beyond. Hatherley is in conversation with Novara Media’s senior editor Ash Sarkar.Buy the book from us here: londonreviewbookbox.co.uk/collections/owen-hatherley  See acast.com/privacy for privacy and opt-out information.

Zimbabwean novelist, playwright and filmmaker Tsitsi Dangarembga presented her latest novel, the Booker-shortlisted This Mournable Body (Faber). The third in a trilogy which began with Nervous Conditions and continued with The Book of Not, This Mournable Body tells the ongoing story of Tambudzai and her struggles with patriarchy and the legacy of colonialism as she tries to make her way, on her own terms, in 1990s Harare. Dangarembga has for many years been as involved in politics as in literature and film (for her all three are intimately connected), and has served as education secretary for the Movement for Democratic Change. She is currently awaiting trial in connection with her role in peaceful anti-corruption protests in Zimbabwe, charges which have led many prominent writers around the world to leap to her defence.Dangarembga was in conversation with Sara Collins, author of The Confessions of Frannie Langton, a gothic romance set in Georgian London which combines

In our event from 16 July 2019, Geoff Dyer talks to Frances Wilson about D.H. Lawrence. Dyer's Out of Sheer Rage, published in 1997, is a brilliant account of attempting to write, and most often failing, a book about his great hero D.H. Lawrence. Now, more than two decades later, he has edited a selection of Lawrence's essays for Penguin. Subjects covered in this freewheeling volume include art, morality, obscenity, songbirds, Italy, Thomas Hardy, the death of a porcupine in the Rocky Mountains and, presciently, the narcissism of photographing ourselves. Historian and biographer Frances Wilson's most recent book is Guilty Thing: A Life of Thomas de Quincey.  See acast.com/privacy for privacy and opt-out information.

On publication of Andrew Motion's new book of poetry, Essex Clay, he joined Alan Hollinghurst in conversation at St George's Bloomsbury.  See acast.com/privacy for privacy and opt-out information.

Writer and critic Brian Dillon’s latest book Suppose a Sentence (Fitzcarraldo) is a series of essays, each of them taking as its pretext a single sentence drawn from literature. What emerges is a dazzling experiment in criticism, a personal and at times polemical investigation of style, meaning and sense. Dillon was in conversation about his work with Olivia Laing, author of Funny Weather and Crudo.  See acast.com/privacy for privacy and opt-out information.

Novelist, memoirist, essayist and contributing editor to the LRB John Lanchester sets out to chill you to the virtual bone with his first ever collection of short fiction Reality and Other Stories (Faber). As if modern life weren’t unsettling enough, Lanchester makes it even more so with tales of haunted mobile phones, selfie sticks with demonic powers and other stories of technology gone horribly, horribly wrong in this retread of M.R. James for the Zoom generation.As we prepare for what might be the strangest Hallowe’en in living memory, John Lanchester discussed the uncanny with the LRB’s head of special projects Sam Kinchin-Smith.Buy the book from us here: https://londonreviewbookbox.co.uk/products/reality-and-other-stories-by-john-lanchester  See acast.com/privacy for privacy and opt-out information.

The European Union Prize for Literature aims to put the spotlight on the creativity and diverse wealth of Europe’s contemporary literature and to promote the circulation of literature beyond national and linguistic borders. To discuss the prize, the state of European literature and Britain's place in the post-Brexit international literary community, we welcomed two past winners: Sunjeev Sahota, who won in 2017 for his Man Booker shortlisted novel The Year of Runaways; and 2014 winner Evie Wyld, author of All the Birds, Singing. The discussion was chaired by critic and former EUPL jury member Catherine Taylor.  See acast.com/privacy for privacy and opt-out information.

In celebration of the life, work and legacy of William Trevor, one of the giants of modern Irish fiction, authors Salley Vickers, Kevin Barry, Hermione Lee and BBC Radio 4 Books Editor Di Speirs read from and talked about their favourites of his novels and short fiction, to mark the publication of Last Stories (Viking). Trevor, who died in 2016, won the Whitbread prize three times, was five times shortlisted for the Man Booker Prize, and in 2014 was made Saoi by Aosdána, Ireland’s most prestigious artistic award.  See acast.com/privacy for privacy and opt-out information.

We were joined by Toby Litt, Helen Charman, Lisa Kelly and Mary Jean Chan, four of the poets featured in Carcanet’s New Poetries VII. From the first anthology, published in 1994, through to this seventh volume, the series showcases the work of some of the most engaging and inventive new poets writing in English from around the world. The New Poetries anthologies have never sought to identify a school, much less a generation: the poets included employ a wide range of styles, forms and approaches, and new need not be taken to imply young.  See acast.com/privacy for privacy and opt-out information.

Three-times Booker-nominated author and LRB editor-at-large Andrew O’Hagan’s latest novel centres on the powerful friendship between James and Tully, fuelled by teenage rebellion and the unforgettable soundtrack of late 80s British music. Stretching over three decades, Mayflies is a captivating study of adolescence becoming adulthood, with all the shades of light and darkness that has made O’Hagan one of the most respected writers of his generation.O’Hagan was in conversation with Edmund Gordon, biographer of Angela Carter.  See acast.com/privacy for privacy and opt-out information.

Igbo and Tamil writer and artist Akwaeke Emezi's mesmerising first novel Freshwater was published to universal acclaim in 2018, and was longlisted for the Women’s Prize for Fiction. Their second book was Pet, a novel for young adults that raised difficult and pertinent questions about cultures of denial, and was described as ‘beautiful and genre-expanding’ in the New York Times. To mark the publication of their second novel for adults The Death of Vivek Oji, a heart-wrenching tale of one family’s discords and misunderstandings, the London Review Bookshop hosted a live online conversation between Akwaeke Emezi and their editor at Faber, Louisa Joyner.The interview between Leanne Betasamosake Simpson and Dionne Brand referred to in their conversation can be found here: https://reviewcanada.ca/magazine/2018/06/temporary-spaces-of-joy-and-freedom/  See acast.com/privacy for privacy and opt-out information.

Novelist and essayist Kirsty Gunn’s latest novel Caroline’s Bikini is a powerful retelling of one of the oldest stories in western literature – that of unrequited love. In a series of conversations in West London bars, Gunn unravels the passion of financier Evan Gordonstone for the glamorous Caroline Beresford, an unravelling that brings Gordonstone to the brink of destruction. Kirsty Gunn is the author of six works of fiction and several essay collections, and currently teaches creative writing at the University of Dundee. She read from her latest book, and talked about it with Max Porter, author of Lanny.  See acast.com/privacy for privacy and opt-out information.

Leading political thinker Chantal Mouffe proposes a new way to define left populism today: it is more than an ideology or a political regime. It is a way of doing politics that can take various forms but emerges when one aims at building a new subject of collective action — the people.  See acast.com/privacy for privacy and opt-out information.

Across five collections, Maureen N. McLane's poetry has won admirers for its distinctive mix of the humourous and the cerebral, a voice the London Review of Books described as ‘Somewhere between teenage fangirl and Wordsworth professor.’ The best of those five collections is now gathered in her first selected, What I'm Looking For (Penguin).McLane was at the shop to read from and discuss her work with poet and critic Sarah Howe, whose collection Loop of Jade won the 2015 T.S. Eliot prize.  See acast.com/privacy for privacy and opt-out information.