Writing Excuses

Shannon Hale joins us at LTUE for a live-audience session in which we explore gender biases, and extrapolate from there to our many other unconscious biases. Our unconscious biases are not just the things that we consider to be "just the way things are," or "common sense." They're the things we don't even see, much less consider, and the obvious challenge for us as writers is  to find those biases, and then to dig into them and really understand them. Our goal is to be able to write beyond them, and create literature that is both more believable, and more widely accessible. Credits: This episode was recorded live at LTUE by Daniel Thompson, and mastered by Alex Jackson. 

Steve Diamond joins us for our third and final Elemental Horror episode as we field your questions about this particular building block. Here are the questions we selected from your submissions: If I want to make peanut butter terrifying without being silly, how do I do that? What is your personal line between horror and "gore-nography?" How do you avoid going too far with graphic elements? Soundtracks are huge for horror movies. How do you set the mood without this tool? What's the best way for a thriller writer to edge into writing horror? How do you decide when to show the monster, and how does it change the story when that happens? Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. 

Steve Diamond joins us again to talk horror, this time about using elemental horror as part of our stories' elemental ensemble. We discuss how the sense of dread can be a page-turning motivation, and how it can complement the other "keep on reading" motivations we set out to invoke. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.   

How do we go about describing the clothing our characters are wearing? How do we use that to add depth to our story? What are the common mistakes that writers make when they start dressing their characters? Rebecca McKinney joined us on stage at LTUE to address all this. Liner Notes: We mentioned some resources for those wanting to get clothing right in their work: Reader's Digest Complete Guide to Sewing Historic Costume for the Stage, by Lucy Barton The International Costumers' Guild Fashion Sketchbook, by Bina Abling

Steve Diamond joins us to kick off our month on the elemental genre of horror. We explore the emotional components that readers seek from horror, and then drill down into the ways that we can create those reactions in our readers. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.   

You may still have questions about how to apply elemental adventure in your work. Hopefully your questions are similar to the ones we collected below, because these are the ones we answered: What do readers like more: protagonists going through lots of different incidents and locations, or through a few that are similar to each other? What lessons can we learn from adventure games? How can we make action scenes that adventurous, but that are not fight scenes? Are there tropes we should stay away from in adventure fiction? Do you have suggestions for non-western styles of adventure fiction? How do you safely skip the long, boring parts of a journey without missing out on necessary character development? Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. 

Let's be adventurous. Let's move beyond simply being cooks, and strive to become chefs. In this episode we explore using the element of adventure as an ingredient in something that has far more than adventure going on in it. Why do we like adventure? What draws the reader forward? Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. 

L.E. Modesitt, Jr. joined us at LTUE for a world building discussion centered around the way the environment informs the story. We talk about lead in Roman plumbing, water lilies in Las Vegas sewers, and coal power in the British Empire, and how these examples can help us more effectively use the environments in our stories. Liner Notes: We mentioned both Americapox, The Missing Plague, (a YouTube video) and the excellent book Guns, Germs, and Steel.

Our exploration of elemental genres continues with the sense of "I want to do that."

This is a Q&A about ideas that does NOT include the question "Where do you get your ideas?"

Nancy Fulda is back for our second episode on the Idea elemental genre. We cover some tools for exploring an idea, and then drill down a bit on how to use that exploration, or even multiple explorations as "seasoning" elements for a larger work. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson

Recorded live at LTUE, Michaelbrent Collings guest-starred for a discussion about self publishing. The landscape continues to change, and Collings is fully engaged in it. He begins by stressing the importance of truly understanding the craft of writing—every professional writer needs this—and then talks turkey about Kindle Direct, Bookbub, formats and lengths, output, available resources, publicity activities, and what kinds of things new writers should commit to spending money on. Note: Writing Excuses Patrons at the "Hear it When Howard Does" level got this episode on March 9th, four days ahead of the rest of the world. You can help support the podcast, and get early access, plus other bonus goodies, by joining them at Patreon.com. Credits: This episode was recorded live by Daniel Thompson, and mastered by Alex Jackson

Nancy Fulda joins us to talk about the Elemental Genre of Idea, and how to write stories driven by a sense of fascination.

Gama Ray Martinez joins us at LTUE to field questions on the Element of Wonder, which were submitted by members of our audience. Here are the questions: How do you create wonder in non-genre stories, where there are no super-powers, spaceships, or spellcasters? How do you avoid making the wonder stale? Are there stages of wonder, similar to the stages of grief? Does wonder come from the style of the prose, the pacing, or from other things? How would you foreshadow wonder?  

If the Element of Wonder is the driving force behind "sense of wonder" science fiction and fantasy, then that same element can be used to give wondrous flavor to stories whose driving force lies among the other elemental genres. We talk about how to use wonder at smaller scales, how to create it with context, and how you might use it in support of the other themes of your story.

Gail Carriger joins us to talk about her Convention Survival Kit, which is full of things most of us wish we'd known to pack with us years ago.

We've introduced the concept of Elemental Genre already. It's time to start digging in to the elements themselves, beginning with the Element of Wonder. We started with this one because "sense of wonder" is a term that gets used to describe what makes some science fiction stories work. In this episode we expand upon the word "wonder" a bit, making the shorthand of "elemental wonder" more useful, not to mention more descriptive. We then go on to detail some methods writers might use to evoke wonder, leveraging that element for the greatest effect in their work.

Michelle Lyons McFarland, Monica Valentinelli, and Shanna Germain join Howard and Dan at GenCon, and talk about the craft of world building for role playing games.

Let's map Newton's Laws of Motion onto writing. Because a wordcount at rest tends to remain at rest...

Elemental Genre becomes particularly useful when you start blending the elements for sub-plots, character arcs, or even mash-ups.