Writing Excuses

Your Hosts: Howard, Mary Robinette, Dan, and DongWon This episode is about comp titles (comparative titles), which are those things you use to describe your project in terms of other works. We discuss the ones we've used (both successfully and unsuccessfully), and the criteria we use to come up with good ones. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Your setting can quickly tell the reader what kind of a story they're reading, and in this episode we'll talk about how we make that happen. Think of it as the "establishing shot" principle from film making, expanded to cover whatever worldbuilding details we choose to reveal first. Liner Notes: Here are the Schlock Mercenary Book 19 prologues Howard described, complete with the footnotes which make fun of prologues. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab We've spent a lot of time talking about magic systems in our worldbuilding. It's time to talk about  science and technology in that same way. This has been a staple (perhaps the defining staple) of science fiction since before "science fiction" was a word. At risk of opening the "where do you get your ideas" can of worms, this episode covers a little bit of where we get our ideas, and where you might get—and subsequently develop—some more of yours. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard "Show, don't tell," they tell us. Except sometimes showing is not always the best thing to do. Or even the right thing to do. Sometimes we should be telling. In this episode we'll tell you about telling. (We'd show you about telling, but we still don't have a video feed.) Credits: This episode was recorded by Rob Kimbro, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard What's the difference between an obstacle and a complication? Margaret Dunlap takes the lead on this episode for us, giving us the tools we need to create 'impediments to main character progress' which will drive our stories across page turns (and commercial breaks) in compelling, twisty ways. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.

Your Hosts: Dan Wells, Tempest Bradford, DongWon Song, and Julia Rios Julia Rios joins us to talk about writing characters who come from one of the many Latin-American cultures or subcultures. "Latinx" is a catch-all term for people with Latin-American heritage, including mixed-race people. In this episode we talk about mash-up cuisine, intersectionality, and how to navigate the subtleties to find the specific cultural elements which will help you create Latinx characters. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard When we say "without rules" we're talking about stories whose magic is not held under logical scrutiny for the reader. There are lots of reasons why you might do this, and in this episode we'll talk about not just about the why, but also the how. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's design magic systems! We talk about how we do it, and how the principles of magic system design apply to the science fiction systems we create, and vice-versa. NOTE: In this episode we're talking about "hard" magic systems, where there are well-defined rule sets (even if the reader isn't shown them explicitly.) Next week we'll talk about "soft" magic. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Let's infodump without infodumping. Let's deliver lots of exposition without sounding expository. Let's talk with the maid and the butler without having maid-and-butler dialog. Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson  

Your Hosts: Howard, Mary Robinette, Dan, and DongWon We invited attendees at WXR 2018 to ask us some general worldbuilding questions. Here's what they asked: What cultural stuff do you need to know during the writing process? How do you treat overlaps between real-world religions and fictional religions when the fictional religions are part of the story's fundamental conflict? How much worldbuilding do you have figured out before you start your first draft, and how much do you discover on the fly? What's the point in a book beyond which you shouldn't introduce big worldbuilding elements? How do you ensure that the world comes through as a character of its own? How much change to terminology is too much? Credits: This episode was recorded live by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard How weird, how far outside the realm of what the reader feels to be familiar, is too weird? Where is the line beyond which the fantasy is too fantastic, the unreal too unrealistic, or the aliens too alien? In this episode we discuss finding that line, and with the tools at our disposal, possibly moving it. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.  

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's talk about race, sort-of. Let's talk about creating races—species of people, really—which is a critically important activity in much of our worldbuilding. In this episode we discuss a few of the pitfalls, some of our own techniques, and a few of our favorite alien¹ races. ¹Can of Worms: It's likely you'll subconsciously code your creations after people who are "other" to you. This is both fraught and inescapable, but we don't want to discourage you from trying. On May 26th we'll go into detail telling you "yes, you can," in a Writing The Other episode entitled "Yes You Can."

Your Hosts: Brandon, Mary Robinette, Dan, and Howard When you're defining your world for the reader, some voice in the text must speak those definitions. This episode is about how we use character voices—their dialog and their narrative view points—to worldbuild. What do they see? How do they perceive it? What are their favorite jokes? What do they say when they swear? Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson      

Your Hosts: Dan, Tempest, DongWon, and TJ This is the first of our Writing The Other episodes, in which we set out to help writers portray people who are unlike them. In this episode we're joined by T.J. Berry. She walks us through the language and terminology of bisexuality.  

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Margaret Dunlap joins us during season 14 to talk about worldbuilding. In this, her first episode with us, we talk about worlds in which a monolithic culture (like, say, 'everyone wears hats') is represented. We cover how to use the trope to your advantage, and how to avoid the trope if it's going to cause problems.

Your Hosts: Brandon, Dan, Howard, and Mahtab Mahtab Narsimhan joins us this year for a dozen episodes on worldbuilding, and this week we're talking about geography and biomes. These pieces of our settings can be central to the stories we tell, but they can also be backdrops, and the story purposes they serve may determine which tools we use to describe them. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Season 14 is all about worldbuilding¹, and we're kicking it off with a discussion of when you do that bit of work. Do you handle worldbuilding before you write the story, as you write the story, or after you've finished the story? We'll talk about how we do it, and the benefits and drawbacks of each approach. Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson. ¹ The question of whether this term should be a closed compound (worldbuilding), an open compound (world building), or hyphenated (world-building) is an open one. Our decision to use the closed compound "worldbuilding" in our episode descriptions this year is a matter of personal preference. 

Your Hosts: Howard, Mary, and Dan, with NASA astronaut Thomas Marshburn. Last week's episode may have sounded like the last one for 2018, but that's an artifact of December having five Sundays rather than four. Fifth Sundays are our "wildcards," and something wild seems like a nice way to round out the year. Tom Marshburn, who is both spaceman and parent, talks to us about what it's like to be both. Credits: This episode was recorded by Ben Hewett, and mastered by Alex Jackson

Your Hosts: Brandon, Valynne, Dan, and Howard We decided to wrap up this year on character by letting Brandon ask us some deep questions. "We decided" might be the wrong phrase, because nobody except Brandon knew what the questions were, so it might be more accurate to say "we rolled with it." It rolled quite nicely. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson. It was posted to the web by Howard, who is also the one who didn't post until twenty-eight hours and twenty-minutes after he should have.   

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Zoraida Córdova Zoraida Córdova, an award-winning author of urban fantasy, was born in Ecuador and grew up in Queens. She joins us to talk about what writers get wrong (and what they can get right and do well) when portraying latinas in the United States. Credits: This episode was recorded live at FanX Salt Lake (formerly "Salt Lake Comic-Con") by Dan Thompson, and mastered by Alex Jackson Liner Notes:  The comic book Howard referenced is Guardians of Infinity #3, (2016), which features a back-up story entitled "Yo Soy Groot." Peggy Whitson is the astronaut Mary referenced. As of this writing, she holds the record for longest single spaceflight by an American.