Writing Excuses

Your Hosts: Brandon, Howard, and Dan with special guest David Weber David Weber joined us at NASFIC to talk about the importance of risking failure on any path (especially a writer's path) to success--whether you're risking rejection in the submission process, or the possibility that the book you write won't be the amazing thing you've been imagining. If you're currently feeling the need to be out of excuses, this episode might be exactly what you're looking for. Credits: This episode was recorded live at NASFIC by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The MICE quotient is a tool for categorizing story elements—Milieu, Idea, Character, and Event—and we've talked about it quite a bit in the past. When a listener asked how we might use the MICE quotient to create, inform, manage, and otherwise help us "do" conflict in our stories, we were excited to start recording, and a bit bewildered that we'd somehow not already done this episode. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson

Your Hosts: Brandon, Howard, and Dan, with special guest Jim Butcher Jim Butcher joined us at NASFIC for a discussion about how we can keep long-running serials engaging after numerous books. Credits: this episode was recorded before a live audience by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Mary Robinette, Lari, and Dan, with special guest Jenn Court Let's talk about serials. Jenn Court, whose work includes lots of  writing for TV (IMDB link), joins us for the discussion. What are the elements that get us, as readers or viewers, to come back for episode after episode, and how do we, as writers, identify those elements and set about synthesizing them? Credits: This episode was mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us again, this time to discuss how to effectively and convincingly write for¹ children. Children have their own unique sets of expectations for the books they read (as do their parents), and in this episode we talk about how to meet (or subvert) those. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson ¹ "For," not "about." Shannon and Dean discussed writing ABOUT children last week.

Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us to discuss how to effectively and convincingly write about¹ children. We cover dialog tools, point-of-view elements, stakes, and character 'quirks' that can help signal to the reader that a character is a child. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson ¹ "About," not "for." Shannon and Dean join us again to discuss writing FOR children next week!

Your Hosts: Brandon, Victoria, Dan, and Howard In this episode we'll be talking about the things we do to stay creative, productive, healthy, and happy. For the purposes of this discussion, "mental wellness" is not about coping with mental illness, it's about self-care. Liner Notes: Here's the gridded lifestyle tracker for the homework, lifted directly from Victoria's Twitter feed. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.

Your Hosts: Brandon, Victoria, Dan, and Howard "As you know, Bob..." is the trope-tastic line we use to refer to expository dialog which has no function beyond exposition. We get lots of listener questions about how to use dialog for exposition without making it feel like we're using dialog for exposition. And as Bob already knows, this episode is about answering those questions. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Mary Robinette, Dan, and Lari¹, with special guest Shauna Hoffman Many Writing Excuses listeners (especially WXR alumni) already know Shauna Hoffman. She joins us to talk about how to deal with the fact that we, as authors, often feel isolated. The listener question that sparked this episode: "How do you keep the pressure off when you feel alone?" How indeed? If this feels timely, well, some of that is coincidence. And some, of course, is not². Credits: This episode was recorded remotely³, using a variety of VOIP tools, and was mastered by Alex Jackson.  ¹ Larissa Helena is joining us as a guest host. She has worked as a literary agent, a translator, and a rights manager, and we look forward to hearing more from her this season. ² Yes, the irony of this being the first of our recorded-during-sparkling-isolation episodes is something we're leaning into. ³ This is the first airing of a Writing Excuses episode in which the participants not physically present in the same room. We su

Your Hosts: Dan, Tempest, Mary Robinette, and Howard Generally speaking, asexuality is a sexual orientation or identity typified by the absence of a desire to have sex. It's *way* more complicated than that, however, and in this episode Tempest helps us unpack it so that asexual characters can be written more effectively. Liner Notes: Want to dig deeper? Over at Writing The Other there's  a master class on writing asexual characters taught by Lauren Jankowski. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Victoria, Dan, and Howard We're often asked how to balance character arcs with the intricacies of the plots we create. In this episode we talk about the various ways in which we do this. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Listener questions drove this episode, and there are only two of them but they were pretty good drivers.  Here they are: Is it a problem that all my dialog ends up as logic-based debates between characters? What can I do to create more variety in my dialog structure? Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The title of this episode comes to us from listener questions along the lines of "what do you do when you're 'in the trenches' querying agents?" Our answers, predictably, have almost nothing to do with actual trenches. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Daniel Friend Daniel Friend, who edits SF/F, has worked in election offices, has run for office, and has participated in campaigns. In this episode we talk about the ways elections can be worked into our stories. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson.

Your Hosts: Piper, Tempest, DongWon, with special guest Erin Roberts What can we do to be allies to members of marginalized groups? Many of us want to find ways to help others have safe, comfortable places within our communities, but worry about coming across the wrong way. In this episode, our hosts talk about how we can do this well as writers, as members of writing communities, and in society at large. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Mary Robinette, Piper, Howard, and special guest Cory Doctorow "How do you break in?" is one of those questions we always get asked in some form or another, and it's also one for which those of us who "broke in" more than a couple of years ago are increasingly unqualified to answer. The path "in" is always changing, and it seems to be changing faster as time goes on. With the obligatory disclaimer out of the way, in this episode we'll talk about how "digital" (read: "social media + everything else internet") applies to building a career as a creative. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Victoria, Dan, and Howard We've talked in the past about how ideas are cheap, and that it's execution upon those ideas which is what really matters. In this episode we'll talk about how we evaluate things over there on the side of the equation where things are cheap and plentiful. Because while we have no shortage of ideas, they vary quite a bit in their value to us. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Dan, DongWon, Piper, and Howard "Should I go self-pub? Should I go traditional? Can I do both? How do I decide where my book fits?" In this episode we'll cover these, and many more questions as best we're able. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson Liner Notes: Zoe York on The SisterCast Skye Warren Marketing Class on RWA forums¹ Writer Beware ¹ RWA membership is required for these forums. This episode was recorded in September of 2019

Your Hosts: Dan, Mary Robinette, DongWon, and Howard At WXR 19 we recorded live, and took audience questions aboard the ship. Here they are! (You'll have to listen to the episode for the answers.) What have you learned in the past year that has improved your craft? When you're having trouble, how do you know if it's "I don't feel like writing" or "there's a problem with the manuscript?" How far ahead do you plan your careers? How do you tell when a fight/battle/showdown is going on for too long? How do you continue to learn and improve on your craft? How do you manage and prioritize your time when you're working on multiple projects? How do you feel about multiple first-person POVs in a single book? What are the most important elements to include on the last page of your book? What are some things we can do to strengthen our voice when writing in third person? How do you decide who to have as alpha and beta readers? In secondary world stories, ho

Your Hosts: Brandon, Victoria, Dan, and Howard How do you create chapters? What are the rules for carving your manuscript into numbered chunks? Is chaptering part of your outline, is it something you discover while you write, or is it something else entirely? In this episode we talk about how we do it, and how we think about it while it's being done. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson